A true force of energy and talent, Esther Anaya is redefining what it means to be a multifaceted artist in today’s electronic music scene. Born in Colombia and now based in Los Angeles, Esther is a DJ, violinist, singer, and producer whose performances fuse live instrumentation with high-energy electronic sounds.
Our team had the pleasure of sitting down with her for an exclusive interview, diving deeper into her journey from classical musician to global performer, her creative process, and what drives her unique fusion of live violin and electronic music.
Discover her inspiring story, insights, and future plans in the full interview below.
1. Can you share an intro for our readers on how they may know you and share some background with us?
Hi everyone! I’m Esther Anaya. I’m a DJ, violinist, singer & producer. I’m originally from Colombia, residing in Los Angeles, CA. You might’ve seen me performing at SoFi Stadium with the Los Angeles Chargers, or heard my music in collaborations with artists like Snoop Dogg and Thomas Gold.
I’ve shared stages in Vegas alongside Zedd, DJ Snake, Tiesto and with many other Dance music legends. My journey started with classical violin training as a kid in Colombia, but my passion for electronic music led me to blend live instrumentation with house, tech, and big room sounds. It’s been an incredible ride from orchestra stages to music festivals and massive sports arenas.
2. You’ve been releasing so much music since the summer ended. First with the afro-house banger “Baseline,” that had Snoop Dogg on the track doing an original verse, followed by the big room vibes of “More Than A Feeling,” and then this past week with meaningful vocals and violins on “Estuario,” with Vikina on Pitbull’s Mr305 Record label. Can you share how you managed to do all of this? What role did you play on each track?
It’s been a whirlwind! Each release came together in its own unique way. With “Baseline” featuring Snoop Dogg, and further collaborating with Eran Hersh, Dean Walker and Asteon, I wanted to bring together this track in a way that would merge Snoop’s iconic swag in the Afro-House genre. Collaboratively we brought textures of strings, rhythm, percussions and my original vocal to bring our sonic vision together.
Then came “More Than A Feeling” with Parker Matthews and JAYEM, that one’s all about energy, emotion, and connection. It is a representation of what music means to us. I co-produced it, co-wrote the topline, and recorded the vocals. We built this one for big stages and radio alike.
And finally, “Estuario” with Vikina on Pitbull’s Mr.305 label was such a heartfelt record. When Vikina brought me her vision of the track, I fell in love with the inspiration of it and wanted to be part of that vision.
That’s where I came in to produce the track and bring her vision to life. Each project shows a different side of me as an artist, from club anthems to emotional storytelling.
3. You’re also a prolific violin player, trained since your childhood, how does that factor into your sound? Has it helped when you’re producing music?
Absolutely. The violin is my soul. It’s where everything started for me, and it always finds its way into my music — sometimes as a lead melody, other times just subtly layered to give warmth or tension.
That classical background trained my ear and discipline, which helps so much in production. I think in harmonies, dynamics, and emotion, not just beats. It gives me a different lens in the studio, where I’m not afraid to experiment or bring something organic into electronic music.
4. Do you prefer live performances or being behind the scenes producing? Any favorite moments?
Without a doubt, live performances are where my heart truly lives. There’s something electric about feeling the crowd’s energy, that instant connection when the beat drops and thousands of people move as one. It’s addictive. Every show is different, every audience gives you a new kind of magic, and that exchange of energy is what fuels me as an artist.
One of my most unforgettable moments was performing at EDC Mexico City, standing on that stage, hearing the crowd roar, and seeing a sea of lights stretch as far as I could see. The energy was explosive, and the love from the crowd was overwhelming.
That kind of moment reminds me exactly why I do what I do. Producing will always be a big part of my artistry, but nothing compares to the adrenaline and emotion of being on stage and exchanging that energy with thousands of people.
5. The last few years you’ve also been DJing for large scale events such as F1, PGA tour stops, and for the NFL, as the official DJ of the Los Angeles Chargers. What is that experience like playing in a massive stadium? Do you prefer those types of events or more intimate venues?
There’s absolutely nothing like performing on the biggest stages. The energy of a massive crowd, thousands of people screaming and lights flashing is a feeling you can’t really describe, you just have to live it. Those moments fuel me; they remind me that all the hours in the studio are leading up to that rush of connection and power you only get on stage.
Playing for events like F1, PGA, and especially as the Official DJ of the Los Angeles Chargers, has pushed me to perform at my highest level every time. I love that challenge, to move a stadium full of people and make them feel something real. Intimate shows have their charm as well, which is a more one-on-one connection to my fans, but for me, the bigger the stage, the bigger the fire.
6. We’ve seen more female DJs appearing on festival and club lineups worldwide. How has this shift toward greater representation impacted your career?
It’s empowering and long overdue. I’ve always believed talent speaks louder than gender, but seeing more women being booked, headlining festivals, and owning their space inspires me every day.
There’s a beautiful sense of community forming among female DJs now, we support each other more than ever. For me, it’s also about being a role model for younger girls who might think this industry isn’t for them. I want them to see me and think, “I can do that too and on my own terms.”
7. What’s next for you, what can fans look forward to next from Esther Anaya?
I’m entering a really explosive phase of my career right now. The next wave of releases is some of my most exciting work yet, big collaborations with artists I’ve admired for years, and sounds that push deeper into the world of dance, house, and crossover music. Every track coming up feels like a new level, bigger production, more emotion, and a lot of surprises.
On the live side, 2025 and 2026 are all about taking the stage energy even higher. I’m gearing up for major festival performances, international tours, and some dream stages I’ve wanted to play since the beginning. There’s nothing like sharing those moments with fans around the world, and I feel like this next chapter is just the start of something massive.
