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UNUM Festival 2026 Unveils Stellar Lineup

By
Marco Di
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UNUM Festival

The final lineup for this year’s edition is finally here — and for 2026, UNUM Festival introduces a brand-new secret stage concept, adding an extra layer of discovery to one of Europe’s most immersive underground gatherings.

Returning to the untouched coastal paradise of Shëngjin, Albania, UNUM Festival 2026 will once again deliver five days and five nights of continuous music, now enhanced by a fourth, hidden stage designed for those who seek something beyond the expected.

Since launching in 2019, UNUM has evolved into one of Europe’s most respected boutique electronic music festivals. Its distinctive format — five days and five nights of uninterrupted music — has cultivated a loyal international community of dancers, artists, and tastemakers seeking a deeper connection between sound, environment, and experience.

Set along Albania‘s Adriatic coastline, the festival offers a rare balance of pristine natural surroundings and uncompromising underground programming.

UNUM Festival 2026 lineup
UNUM Festival 2026 lineup

Leading the final wave of artists is Keinemusik founder &ME, whose melodic and emotive sound has become a defining force on global dancefloors. Also joining the 2026 edition are Cinthie, Berlin’s house authority and Elevate Records founder, respected minimalist Voigtmann, Swiss innovator Alci, and Amsterdam favorite Reiss.

Their addition completes a lineup that spans the full spectrum of underground electronic music — from house and techno to minimal and forward-facing club sounds — bringing together both legendary figures and the next generation of talent.

Artists performing include Ricardo Villalobos, Ben Klock, Raresh, Craig Richards, Dan Andrei, Dan Ghenacia, DJ Tennis, Dyed Soundorom, East End Dubs, Franco Cinelli, Francesco Del Garda, Gerd Janson, Krystal Klear, Maher Daniel, Margaret Dygas, Praslea, Priku, Prospa, Richy Ahmed, and Tobi Neumann, among others.

UNUM Festival

A New Secret Stage Experience

For 2026, UNUM introduces a fourth, secret stage, designed to push the boundaries of discovery and connection even further.

Featuring a series of unannounced sets from headline artists, international talent, and emerging Balkan artists shaping the region’s growing electronic scene, this hidden experience will move between multiple locations across the festival site.

Accessible only to those who can find it, the secret stage is reserved for those who truly become one — creating spontaneous, intimate moments that capture the essence of UNUM at its purest.

UNUM Festival 2026
UNUM Festival

Following a landmark year that saw UNUM crowned Best Global Festival 2025 at the DJ Awards, the festival continues to bridge the worlds of minimal, house, techno, and eclectic club music. Its lineup is designed to evolve organically across the festival’s unique 24/7 format, shaped as much by its environment as by the artists themselves.

Tickets start at just €95, with full packages including accommodation, travel and five days of festival access available from under €300, making UNUM one of Europe’s most immersive and accessible destination festivals.

With demand for the 2026 edition already exceeding previous years, UNUM Festival is set to deliver its most ambitious edition yet.

Secure your place HERE.

Interview: MikeR Opens Up About His Influences, Sound, and Creative Evolution

By
Metodi Gogovski
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MikeR
MikeR

We sat down with MikeR to talk about the inspirations behind his sound, a fusion of Progressive House and Melodic Techno driven by emotion and energy. Shaped by defining moments, influential artists, and real-life experiences, his music translates feeling into movement on the dance floor.

In this interview, MikeR opens up about his journey, creative process, and the influences that continue to shape his evolving style.

Check out the full interview below!

Hi MikeR, how are you feeling today?

I’m doing very well, thank you. There’s quite a lot happening at the moment with new music and projects, so overall it’s an exciting time.

To start, what made you realize music was your calling?

There were two moments. The first was in 2017 when I watched Armin van Buuren’s Tomorrowland set. The opening with “I Live for That Energy” took me back to my own clubbing and DJing days as a student. Shortly after that I saw an ad for his online masterclass about Electronic music production. I bought a laptop, a DAW and some plugins and got completely hooked.

The defining moment was one of my first gigs I played in Barcelona in late 2018. I opened my set with a track called “Digital Era” that I had produced only a few days earlier during some late-night sessions. The crowd reacted immediately, hands in the air, and the energy in the room was incredible. That was the moment I realised music was more than just a hobby for me.

How did the environment of your youth prepare you for the energy and dedication required for your career today? 

I learned early in life that there is no result without dedication. To achieve something you have to work for it, take calculated bets and also be a bit lucky. That was true for my career as a management consultant as well and as we all know it also applies to an artist’s career.

At the same time, to preserve energy and motivation you need to enjoy what you do and always have things that give you excitement and inspiration. For me that is playing live at events and feeling the connection with the crowd or spending an afternoon in the studio where you create something new.

Was there a specific person in your life who introduced you to the world of music, and how did their taste influence yours? 

Not really. It was less a person and more a moment in time and several friends I used to hang out with. When I was a student in the late 80s and early 90s, House, Techno and Trance were emerging, and I was clubbing in places like Warehouse Cologne or Königsburg in Krefeld. That was when my taste in music really formed.

I was especially drawn to early trance tracks with mystical melodies and airy vocals, such as “The Age of Love” in the Jam and Spoon remix, “Love Stimulation” by Humate in the Paul van Dyk remix, and “For an Angel”.

Are there any specific instrumental or non-vocal artists who influence the way you design the atmosphere for your sets? 

I am really inspired by top Progressive House artists like DubVision, Third Party, Matisse and Sadko and Martin Garrix. I love those massive drops with uplifting melodies and powerful synth arrangements. Armin van Buuren also inspires me a lot, especially his more Trancy sets and tracks.

Classical music is also an influence. I like orchestral intros for my sets, either by playing a big classical intro, remixing a classic like “O Fortuna” or creating my own orchestral intros for my opening track.

Which specific feeling or state of mind is currently providing the most “fresh” inspiration for your studio sessions? 

For me it is the feeling of uplift and momentum. I love music that gives people energy and makes them feel optimistic. When I am in the studio I try to capture that moment when a melody suddenly lifts the whole track. That emotional lift is something I always look for. Those moments when you raise your hands and are completely in the moment, stepping away from worries and everyday pressures for a while.

My fresh inspiration often comes from real life experiences and places. For example, the Nicoya Peninsula in Costa Rica inspired my track “Blue Zone,” and “All Good Things” is about leaving a great place simply because it is time to move on and try something new.

How much of your signature sound is influenced by music that isn’t intended for the dance floor? 

Quite a lot actually. Even though I produce Progressive House and Melodic Techno, I listen to many different genres. Film music, classical music, ambient sounds and even pop songwriting influence how I approach melodies and harmonies.

About eighty percent of my new tracks start with the lead melody and chords. Only afterwards I add drums, bass and the other elements. Those influences help make the music more emotional rather than just functional for a club.

If you had to name three artists who represent the “pillars” of your musical identity, who would they be? 

Martin Garrix for the massive Progressive sound, Armin van Buuren for the driving Trancy energy, and Joris Voorn for his emotional and driving Melodic Techno approach.

Do you find that your influences change depending on the geographical location where you are performing or producing?

For sure. I play a set in Latin America quite differently from a set in Europe, and even within Europe there are regional differences and influences.

In Latin America having local artists like Alok or Vintage Culture in the mix is important, and the sound often has a Latin flavour while still staying within EDM by playing remixes of Daddy Yankee, Ozuna and the likes. I also have a few unreleased Afro House tracks that I created while spending time in Southern Europe and Costa Rica last year, simply inspired by the vibe there.

Which legendary artist’s performance presence or technical style has influenced the way you deliver your own live experiences? 

Armin van Buuren is someone I have always admired in that respect. His connection with the crowd is incredible. He combines technical skill with a very emotional performance style, the energy at his sets is off the scale.

Watching artists like that makes everyone realise that DJing is not just about playing tracks. It is about creating a journey and sharing a moment with the audience.

Finally, looking toward the future of 2026, which emerging creative movement, artist, trend or style is currently most exciting to you?

I find the fusion between Progressive House, Melodic Techno and cinematic Electronic music really interesting right now. Artists are experimenting more with storytelling and atmosphere in their tracks, not just big drops. That direction opens a lot of creative space.

And I am also a big fan of reviving the golden era of EDM. Euphoric sets and tracks with a modern interpretation of the 2010 to 2015 sound.

From the artists who first inspired him to the sounds shaping his current productions, MikeR’s influences continue to evolve as his journey develops. With each new track, he brings those inspirations into his own melodic, forward-moving style, one that keeps both emotion and energy at its core.

Axel Boy and Princess Superstar Unite for “On Time” on Deadbeats

By
Alex Gelevski
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Axel Boy
Axel Boy

Bristol-based producer and Deadbeats veteran Axel Boy is teaming up with Grammy nominated American rapper and DJ Princess Superstar on their collaboration “On Time” set to release on Friday, March 20 on Deadbeats.

Here’s what Axel Boy had to say about the collaboration with Princess Superstar:

“When Deadbeats linked me up with Princess Superstar, I was over the moon. I have been a huge fan of hers for years. Together we had a really fun creative process making this track, bouncing back ideas online and then getting in the studio in Bath, UK – our creativity flowed naturally.

I think our sounds combine perfectly and it is a real honor to work with such a legendary artist.”

After combining this power duo, “On Time” has an undeniable chemistry. The track hits fast and does not let up with its fusion of UK garage swings, bright basslines, and high-octane vocals. With Princess Superstar’s unmistakable vocals cutting straight through the bass-driven production, this electrifying collaboration is a staple weapon in DJ’s arsenal that will leave fans eager to experience this live.

Axel Boy Princess Superstar On Time
Axel Boy x Princess Superstar – On Time

Speaking about the collab, Princess Superstar added:

“I loved working with Axel Boy, his tracks are so soulful and beautiful and I knew we would create magic together. We recorded this in the countryside in Bristol, literally there were sheep outside the recording studio and it was so special.

It’s a song about relating to time and how everything happens for a reason and even if it feels like everything is falling apart, maybe everything is right on time. I am really excited to bring this to the world!”

Axel Boy has steadily built a reputation for delivering cinematic, high-impact productions that blur the lines between UK Garage, Dubstep, and Drum & Bass. Gaining recognition from labels like Deadbeats, UKF, Bite This!, Dim Mak, Crucast, Warner, and Universal, he’s earned support from elite names like Skrillex, Zeds Dead, NGHTMRE, The Chainsmokers, and Tiesto. His sets are known for their explosive pacing while his records capture that same adrenaline.

Princess Superstar is no stranger to shaping dance floors worldwide. With releases on Armada Music and Studio !K7, and her era-defining and viral club hit “Perfect (Exceeder)” alongside Mason, she carved out a permanent place in house music. Her collaborations with legends like Armand Van Helden and Todd Terry further cement her as a dance music mainstay who knows exactly how to command a crowd.

“On Time” feels like a full-circle moment for two artists who thrive on pushing boundaries while staying true to their roots. It’s bold, it’s heartfelt, and it’s built for those hands-in-the-air, lights-down, bass-up moments that define why we fall in love with dance music in the first place.

When Axel Boy’s cinematic intensity collides with Princess Superstar’s iconic presence, the result isn’t just a collaboration — it’s a statement. And come release day March 20th on Deadbeats, fans everywhere will realize this one didn’t just land at the right moment… it arrived exactly on time.

Pre-save here.

I Hate Models Unveils ‘Disco Inferno’ and Announces New Tour Dates

By
Metodi Gogovski
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I Hate Models, the world-renowned techno artist, unveils Disco Inferno and announces new global tour dates for the event series.

The tour hits Mexico City, Mexico on June 5, Bogotá, Colombia on June 6, and Istanbul, Turkey on July 4, 2026. The series launches on May 16 in Miami, Florida at Factory Town, in collaboration with Factory 93, the acclaimed techno imprint of Insomniac Events.

Conceived as an outlet for pure intensity and freedom on the dance floor, Disco Inferno is built around the idea of losing yourself completely in the moment.

The experience goes far beyond a typical club night — it’s an immersive collision of sound, sweat, and raw emotion where the line between artist and audience disappears. The crowd isn’t there to simply watch, they become part of the energy that drives the night forward.

I Hate Models Disco Inferno 2026 Dates
I Hate Models Disco Inferno 2026 Dates

Rooted in the darker edges of the underground, the series channels the fire and chaos that define I Hate Models’ music, distorted melodies, pounding rhythms, and an atmosphere that thrives on collective release. Each edition is designed to feel unpredictable and alive, capturing the electricity of nightlife at its most unfiltered.

With Disco Inferno, I Hate Models expands his creative vision beyond the booth, building a global platform that reflects the spirit of his sound and the community that surrounds it.

As the series continues to evolve, each city will shape its own version of the experience while staying true to its core ethos: intensity, freedom, and total surrender to the music.

 

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Tickets are currently on sale for Mexico City, Mexico, and Bogotá, Colombia, with presale signups available for Turkey.

MEXICO CITY, MEXICO: June 5th — Ticket Link

BOGOTA, COLOMBIA: June 6 —  Ticket Link

ISTANBUL, TURKEY: July 4 — Presale Sign Up Link

Jon Billick Delivers Exclusive Guest Mix for Rave Jungle

By
Metodi Gogovski
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Welcoming Jon Billick to Rave Jungle, this guest mix serves as a personal collection of favorite records sourced from significant spaces like Amoeba Records in Hollywood and Elevate in Berlin, representing the travels and tastes of the talented DJ and Producer.

Moving between the gritty, underground House textures and more soulful, uplifting melodies, Jon Billick curates a journey that features influential tracks from world-renowned DJs and Producers including Kimono, Dennis Ferrer, and Earl Jeffers, as well as Jon Billick‘s own “Down (White Label Vox Edit).”

This selection highlights the different shades of House music that inspire the Jon Billick sound, bringing together records gifted by friends and discovered in various global cities.

We invite you to listen to this curated exploration.

Check out the guest mix below!

Tracklist:

1. Jazzed Out (Original Mix) – Kimono [Silver Walker Recorings]
2. How Do I Let Go ft. K.T. Brooks (Original Mix) – Dennis Ferrer [King Street Sounds]
3. Feel (Original Mix) – Earl Jeffers [Handy Records]
4. Rock With You (Unreleased Vocal Mix) – DJ Spen, Reelsoul, Tasha LaRae [Quantiize Recordings]
5. Set You Free (Original Mix) – Tino [Global Swing]
6. Lost You At Lemon (Original Mix) – Saturday Night Rush [The Rush]
7. Give That (Original Mix) – Tino [Global Swing]
8. Baby’s Right (Original Mix) – Tommy Musto [TMD]
9. Your Heaven (I Can Feel It) ft. Pearl Maye (Soulfuric Dub) – Urban Blues Project Pres. Mother of Pearl
10. Down (White Label Vox Edit) – Jon Billick [ESUOH LTD]
11. Space And Science Center (Original Mix) – Modal Logic [Dungeon Funk]
12. The Underground (St. David Dark Swing Mix) – Celeda [Tribute To House Masters]
13. Welcome (Original Mix) – Chasse [Daily Session]

Eddy D’Amato Drops Powerful New Single ‘CHAMPION’

By
Alex Gelevski
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Eddy D’Amato continues on his journey with the release of ‘CHAMPION,’ stepping out with the next track on his own label MODVL. Characterized by its strong Techno power, it is a production that places Eddy D’Amato’s signature style in focus, identifying the raw grit and tightly controlled intensity that defines his approach.

With a clear sense of direction, Eddy D’Amato continues to build momentum with every release and creative project, steadily refining his identity within the electronic music space. Alongside his own productions, he also founded the label MODVL as a platform for forward-thinking sounds and emerging talent. By balancing his work as both an artist and label founder, D’Amato remains committed to exploring new ideas while strengthening his growing presence in the genre.

Delivering textured layers, shuffled beats, a steady kick, and an industrial-tinged atmosphere, ‘CHAMPION’ builds a sound world that feels intricately constructed yet still robust in its energy. As distorted leads weave amongst a relentless bassline pulse, the track continues to push forward in a menacing and immersive way.

Building through stuttering synths, risers, and spoken vocal lines, ‘CHAMPION’ maintains a kinetic flow – unyielding in its low-end foundation and consistent in the tension it constructs.

Eddy D’Amato Champion
Eddy D’Amato – Champion

A journey designed with the Techno enthusiast in mind, ‘CHAMPION’ enters both Eddy D’Amato’s discography and the MODVL roster as a natural yet distinct addition. Beat-driven and functional, it operates as a showcase of D’Amato and his innovative mindset: sustaining a commitment to evolution while staying true to his roots and the musical foundations that ground him.

With determination and passion guiding his path, Eddy D’Amato continues to move with intent and consistency, maintaining a steady focus on creativity and originality. So, be sure to stay up-to-date with his latest projects by following the Producer and DJ across social media for updates.

Listen to the track below!

Mochakk Releases MOTRAXX Volume 2, Spotlighting Brazil’s Fast-Rising Artists

By
Marco Di
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After relaunching his imprint MOTRAXX at the end of 2025, Mochakk continues to build on the label’s momentum with the release of MOTRAXX Volume 2. Conceived by the DJ and producer as a platform for a new generation of artists and electronic music styles emerging from his native Brazil, MOTRAXX is fast becoming a global export for the country’s thriving electronic music scene.

Across its compilation releases, MOTRAXX pairs a focus track with a standout tracklist, personally curated by Mochakk, offering a snapshot of Brazil’s fast-evolving electronic music scene.

At the centre of the release is ‘One Woman Man’ by the duo Solarce Brothers in collaboration with Jame C, a hypnotic, percussion-led cut defined by tribal textures, rolling energy, and relentless groove. The Solarce Brothers have been experiencing a rapid rise in popularity, attracting large audiences throughout Brazil in recent months.

Their international recognition is increasing, as evidenced by their scheduled performance at Nuits Sonores in Lyon in Summer 2026, where they will appear alongside prominent artists such as Ben Klock and Amelie Lens.

Following a series of notable performances last year at Pacha Ibiza, Lost Village, and Brunch Electronik Malaga, as well as concluding Day 1 of Mochakk’s inaugural Calling festival in Malta, the Solarce Brothers are emerging as one of Brazil’s most prominent electronic music acts.

Mochakk MOTRAXX Volume 2
MOTRAXX Volume 2

Regarding the collaboration, Jame C recalls the beginning of his connection with Mochakk and highlights the significance of the current moment for the Brazilian scene:

“I met Mochakk when I was 15/16 years old. I bumped into his songs online and was immediately stunned. I was working and learning a lot at that time and finishing my first productions, so I eventually reached him out to show some of my work and we found something in it. Since then, we haven’t stopped making, vibrating and sharing our love for music.

I was very thrilled with the invite to be part of the new MOTRAXX compilation. Pedro envisions amazing projects and to be part of MOTRAXX alongside all the wonderful talent that he believes and that we see here in Brazil on a daily basis is simply brilliant. It will always be an honor to be around Mochakk and all these beautiful people that are here together building a milestone for our electronic music scene.

Right now, we are experiencing a huge takeover of Brazilian talent around the world. We have released everywhere, with everyone and our tracks play in every single club in the whole world. It is so wholesome to be a part of this beautiful era of our music!”

The Solarce Brothers also reflect on the relationship they built with Mochakk and the impact of the release:

”We met Mochakk at the beginning of last year, after a Carnival party. Although we already knew of each other through the many times we exchanged music online, we had no idea that just a few months later we would be touring together — and that this would mark the beginning of a true friendship.

Releasing on MOTRAXX is a milestone for our project. We’ve always dreamed of being close to the people we admire within the electronic music scene — and Pedro is certainly one of them. ‘One Woman Man,’ our collaboration with Jame C, reflects our intrinsic connection to Brazilian groove while still crafting a sound designed for the dancefloor.

Electronic music in Brazil has firmly established itself as a cultural pillar of the country. The rise of numerous clubs across Brazil, alongside the global recognition of Brazilian artists who now rank among the most renowned in the world, has contributed immensely to this growth.”

The focus track sets a high-energy tone that runs through the entire compilation, with Panna’s ‘Movedizzz’ delivering a driving groove built around sharp snare hits and subtle analogue textures. Closing the release, Analu’s ‘I Don’t Want You’ locks in a bass-driven kick, crisp hi-hats, and arpeggiated synth lines, adding a hypnotic edge that completes the compilation’s balance between club functionality and individual artistic identity.

Solarce Brothers and Analu have collaborated with Mochakk beyond their releases on MOTRAXX, performing last summer at the Mochakk Calling Festival in Malta, highlighting the growing synergy between the label’s roster and Mochakk’s global events. The artists are also mainstays in the line-ups of Brazil’s most respected clubs and festivals, rapidly gaining international recognition through both touring and releases.

With Volume 2, MOTRAXX keeps building its sizzling catalogue, cementing its role as one of the most exciting and innovative imprints in the current global electronic music scene.

As the MOTRAXX series promises more releases to come, each compilation further centres the label’s position as a key player in exporting Brazil’s electronic music culture worldwide.

Listen to the tracks below.

Mind Against, HUMAN404 and Anakim team up for “Late At Night”

By
Marco Di
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Mind Against

Blending emotive melodies with hypnotic club energy, “Late At Night” brings together three distinctive voices within contemporary electronic music.

Mind Against — brothers Alessandro and Federico Fognini — are Italian-born, Lisbon-based artists renowned for their emotionally rich blend of techno, house, and IDM influences. With releases on labels such as Afterlife Records and Hotflush Recordings, the duo have established themselves as one of the most recognizable acts in the global electronic scene.

Their multidisciplinary platform HABITAT, launched in 2023, has evolved into a label, audiovisual show, and event concept exploring the intersection of music, art, and immersive storytelling. Through acclaimed productions like “Dreamcast” and “Walking Away,” as well as remixes for Röyksopp, Adriatique and Moby, Mind Against continue to refine a signature sound built on cinematic synth work, driving percussion, and powerful emotional depth.

Joining them on “Late At Night” is HUMAN404, an enigmatic electronic producer known for weaving atmospheric textures with futuristic sound design. His productions move between techno and progressive electronics, combining introspective moods with club-focused energy.

Completing the collaboration is Anakim, the US-based producer whose releases and performances have earned recognition across the global underground scene. Blending techno with indie-influenced songwriting and evocative vocals, Anakim’s music has become a staple in sets by leading DJs worldwide.

Mind Against, HUMAN404 and Anakim Late At Night
Mind Against, HUMAN404 and Anakim – Late At Night

Together, the three artists craft a track that unfolds with pulsating basslines, luminous melodies, and a hypnotic late-night tension built for peak dancefloor moments. “Late At Night” reflects the emotive and immersive sonic identity that continues to shape today’s techno landscape.

The release follows the renewed momentum of CORE Records, which recently returned with a fresh wave of music. On February 27, the label kicked off this new phase with “I Won’t Let You Go” by Rush Avenue, the first in a series of upcoming releases.

Listen to the track below.

Chris Stussy Releases “Darkness,” First Single Off Debut Album ‘Lost’

By
Metodi Gogovski
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Following the announcement of his heavily anticipated debut album Lost, Found & Forgotten… on Up The Stuss, Chris Stussy unveils the project’s lead single, “Darkness.” The release comes in tandem with the tracklist reveal for the first six-track chapter of the album, Lost, which is available in full as part of the wider album release on April 3.

Positioned as the introduction to the LP’s three-part concept, Lost gives new life to music once left behind. These are tracks written across different moments in Chris‘s journey, ideas that never quite found a home until now. Rather than relics of the past, they emerge re-discovered, refined, and fully realized.

“Darkness” sets the tone for the project with driving intent. Taut percussion and rolling low-end pressure meet subtle melodic tension, balancing weight and restraint in equal measure. It’s a record firmly rooted in the club, yet reflective in mood – a statement that signals both progression and continuity as Chris steps into album territory for the first time.

Chris Stussy Darkness
Chris Stussy – Darkness

The full Lost tracklist, featuring “Moonlight” feat. Elena Moroder, “Side to Side,” “Here for the summer,” “Miraflores,” and “It’s time for a change,” also offer a broader glimpse into the opening chapter’s sonic world, with the remaining two chapters set to be revealed in the weeks ahead.

It’s a carefully curated collection of productions defined by rediscovery: letting unfinished ideas breathe, honouring raw impulse, and reframing the past as fuel for what comes next.

Listen to the track below.

Emi Galván delivers a cinematic remix of Ruben Karapetyan’s ‘Pantheon’

By
Marco Di
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Emi Galván delivers a cinematic remix of Ruben Karapetyan’s ‘Pantheon’, a powerful and emotionally charged reinterpretation from the Argentine producer, released on UV Records.

In his rework, Emi Galván leans into his signature balance of melodic depth and dancefloor intensity. Pulsing rhythms and a warm, rolling low end form the backbone of the track, while evolving synth layers and atmospheric textures gradually build tension and release.

The result is a remix that feels both cinematic and club-ready, designed for those extended moments on the dancefloor where emotion and energy meet.

Emi Galván‘s rise in recent years has positioned him as one of the most distinctive voices in the progressive scene. His catalogue now includes releases on respected imprints like Sudbeat Music, The Soundgarden, Balance Music, Mango Alley, and most recently Anjunadeep, where his collaboration ‘Lunar Circuit‘ with Durante featured on Anjunadeep 16.

Ruben Karapetyan Pantheon Emi Galvan Remix
Ruben Karapetyan – Pantheon ( Emi Galvan Remix )

Earlier career milestones for Emi also include his widely supported remix of Girl I Love You by Massive Attack, as well as his acclaimed rework of Dark & Long by Underworld, both of which became staples in sets from respected selectors including Hernan Cattaneo, Joris Voorn, Guy J, Nick Warren, Sebastien Leger, and Guy Mantzur.

With multiple Beatport chart-topping releases such as Frequency Shift, I Want to Believe, and Supernova, alongside performances across Latin America, Europe, the Middle East, Asia and Oceania, including Ultra Music Festival Buenos Aires, Galvan continues to expand his global footprint with a sound that is both emotionally resonant and built for the dancefloor.

His remix of Pantheon is another strong example of that balance, a refined progressive rework that adds fresh energy while staying true to the spirit of Ruben Karapetyan‘s original vision.

Listen to the tracks below.

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