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Grabbitz Launches New Era With “Blood On My Hands”

By
Metodi Gogovski
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After a bold artistic reset and full creative reintroduction, Grabbitz launches his next era with “Blood On My Hands,” a raw, bass-driven single out now via Breakaway Projects/Sony.

Marking his first release following a complete visual and sonic reboot, “Blood On My Hands” signals a decisive return to the sound that originally built Grabbitz’s reputation as one of bass music’s most technically gifted producers.

After several years exploring vocal-forward and rock-influenced territory (which yielded an alternative radio hit and Canadian Gold single), the new record re-centers the project around heavy low-end, intricate sound design, and emotionally charged production.

The release follows a dramatic rebrand at the top of 2026: a wiped social presence, new visual identity, and symbolic haircut representing a full-circle moment for the producer who’s historically collaborated with heavyweights like Zedd, deadmau5, and Illenium.

Grabbitz Blood On My Hands
Grabbitz – Blood On My Hands

“A decade ago there was a moment where bass music inspired me so profoundly that I dropped everything to chase it,” Grabbitz says.

“Now, after all the places it has taken me, that moment happened again. Also, the song feels like a Jackson Pollock painting.”

Sonically, “Blood On My Hands” balances chaos and control, distorted bass textures, fractured rhythms, and cinematic tension collide in a track that feels both visceral and meticulously constructed. It’s a statement piece: not a crossover, not a feature vehicle, but a producer’s record built to announce exactly where Grabbitz is headed next.

The single arrives as Grabbitz enters a high-momentum stretch of live dates, including performances with Excision and Said The Sky, Riot Games’ Los Angeles event, and major festival appearances throughout the new year. More releases tied to the new era are expected in the coming months.

With “Blood On My Hands,” Grabbitz doesn’t just release a new song, he reclaims a legacy.

Listen to the track below.

DJ Du Jour Drops a High-Energy Guest Mix

By
Andry Bosk
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Super-talented DJ and Producer, DJ Du Jour presents a brand new guest mix just for your listening pleasure.

Drawing on her international experience across stages such as Eden Ibiza, Sydney World Pride, and the UK’s Blackthorn Music Festival, she translates her on-stage energy into a focused, high-tempo set.

Centered on Vocal House and Tech House, the mix features familiar tracks from established names including Robin Schulz and James Hype, alongside selections from her own remix catalogue.

So, we invite you to press play and experience DJ Du Jour’s creative outlook, perspective, and approach through this dynamic guest mix.

Listen to the guest mix below.

 

Tracklist:

1. Let Me Tell You (Extended Mix) – Glaxxs [Wh0 Plays]
2. Slow Desire (DJ Du Jour Mash Up) – Kylie x Cassimm
3. Together (Extended Mix) – Sam Frandisco & Steve Martano [Wh0 Plays]
4. Keep Moving (Extended) – Champagne Kenny [Data Transmission]
5. Bad Habit (Extended Mix) -Thomas Newson & LOVRA [The Myth of NYX]
6. Behaviour (Extended Mix) – James Hype [STEREOHYPE]
7. When Doves Cry (DJ Du Jour Remix) – Prince
8. Waste My Time (Chris Avantgarde Remix) – Kölsch & CamelPhat [IPSO]
9. Everytime (Extended Mix) – IDEMI & Lustral [TMRW Music]
10. Turn On The Broken Bones again (DJ Du Jour Mash Up) – Love Inc x Fred again
11. What Ya Got For Me (Extended Vocal Mix) – Signum
12. More Of The Same (Extended Mix) – James Hype & Tita Lau
13. Embers (Extended Mix) – Robin Schulz [Warner Music Central]
14. Pulverturm (DJ Tomcraft Remix) – Niels Van Gogh
15. Look Good [EXTENDED] – Ethan Walsh [Disorder Records]
16. Positive (Extended Mix) – Jamback [CircoLoco Records]
17. At Night (Anyma x Layton Giordani Remix) – Shakedown [Defected Records]

Exclusive Interview: Fenrick Talks About His Evolving Sound

By
Alex Gelevski
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Known for tearing down genre walls and rebuilding them on the dancefloor, Fenrick has quickly carved out a lane of his own — blending UK garage, 90s trance, techno, hard house, and electro into high-energy sets that feel raw, emotional, and unpredictable in the best way.

We caught up with Fenrick to talk about his evolving sound, how he balances diversity with identity behind the decks, and the mindset that drives his latest productions.

From sold-out club nights to international stages, the project continues to grow — and as he tells us, the journey is far from slowing down.

Check out the full interview below

1.⁠ ⁠Your universe blends UK garage, 90s trance, techno, hard house… How do you manage to bring all these influences together in a coherent set without losing your identity?

People who know me well know that my identity is precisely this diversity of musical genres. I don’t prepare my sets that much, but I know my tracks very well: I know which ones work together and which ones don’t. I also love finding new, unexpected combinations.

In the end, it’s mainly about feeling in the moment, during the set, and about the connection with the crowd.

2.⁠ ⁠You’ve spoken about a real musical evolution over the past year. What was the main trigger for this change, and what did you leave behind?

I think the Fenrick project is something that has always been evolving, and will always continue to evolve, both musically and aesthetically.

I’m constantly looking for change in order to push my creative limits. I also really dislike conformism or having to fit into a box and restrict myself in my creative process.

3.⁠ ⁠Concretely, what do you want the audience to feel when they leave a Fenrick set?

I really want people to dance, put their phones away, and take that moment to pause everything: sing, scream, cry if they need to… just let go and be fully connected together on the dancefloor.

I’d like them to leave the set feeling like they’ve discovered, or rediscovered, tracks and a different way of playing them.

4.⁠ ⁠Your latest tracks show an exploration of more electronic sounds. How do you approach production today compared to your beginnings?

Electro has always been a core part of my childhood and teenage years, just like UK garage or house. So it felt natural for me to explore this genre, which is so versatile and diverse, with no real limits.

I don’t think my approach to production has changed that much. What has evolved is mainly my knowledge and production skills, but my intention remains the same as in the beginning: making music that I truly enjoy first and foremost.

5.⁠ ⁠You’ve played major venues and festivals across Europe and internationally. Is there a country that particularly marked or influenced you?

I have a deep love for Belgium: the scene, the people, and the rave culture inspire me a lot. Internationally, Latin America really stood out to me because of the crowd’s energy.

More recently, Australia has also had a big musical influence on me: I met many very talented producers there. There’s a real musical vibe, and I love that.

6.⁠ ⁠In October 2025, you launched the Fenrick <3U nights with a sold-out first edition at Fuse. What’s the vision behind this project and the message you want to convey through these events?

I’m already incredibly happy to have launched this project, which was very close to my heart. The idea is to invite artists whose style I love, while also introducing new talents to the audience, in a friendly, inclusive, and respectful atmosphere.

I love my crowd, their energy and diversity, and I’m very grateful for their support, so I want to offer them a club experience that reflects who they are. More dates are coming in new cities and countries, and I’m really excited to see how these nights will be received by a wider audience.

7.⁠ ⁠Looking ahead, what can we expect from Fenrick: more collaborations, new set formats, or an entirely new sonic direction?

I really want to collaborate with singers and producers from different musical backgrounds, in order to create something even more innovative. I’ve also significantly lowered my BPM recently, and it’s a real pleasure to make people dance to stronger grooves at slower tempos, especially after a period where there was an intense race towards very high BPMs and increasingly harder music.

With a sound that refuses to sit comfortably in one box and a clear vision for how club culture should feel — inclusive, emotional, and fully lived in the moment — Fenrick is building more than just sets; he’s building experiences.

Whether it’s through his evolving productions, his genre-fluid performances, or the expanding FENRICK <3U nights, his focus remains on connection, freedom, and movement on the dancefloor.

If the past year is any indication, the next chapter of the Fenrick project is about to get even more interesting — and we’ll definitely be keeping our eyes on what comes next.

Bootshaus set to host the mesmerizing Techno Ballet Odyssey

By
Marco Di
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Bootshaus Cologne
Bootshaus Cologne

Bootshaus, Germany’s treasure club in Cologne, hosts the mesmerizing Techno Ballet Odyssey on February 27 and 28. Two unforgettable nights that blur the line between high art and club culture, bringing an immersive contemporary ballet into the heart of the dancefloor, on live techno rhythms.

For more than two decades, Bootshaus has played a defining role in shaping Germany’s electronic music landscape. Known for its uncompromising sound system, raw industrial setting and forward-thinking programming, the Cologne club now takes a bold step further by premiering a full-scale ballet performance designed specifically for a club environment.

On February 27 and 28, Bootshaus becomes the place where ballet meets live techno with style and grace.

Bootshaus A Techno Ballet Odyssey
Bootshaus A Techno Ballet Odyssey

A Berlin-born performer project, A Techno Ballet Odyssey, is a must on the list of once-in-a-lifetime experiences. It reimagines ballet outside traditional theatre walls. The club audience is taken on a unique journey – a 70-minute ballet performance by the Berlin Ballet Company.

The spectacle is choreographed for the dance floor, not the classical stage, with dancers moving across multiple platforms, surrounding the audience, and transforming the club space into an immersive, multi-level performance environment.

At the centre of the performance is a narrative of loss and rediscovery. The main character loses himself in the intensity of the night and slowly finds his way back to himself through powerful choreography, striking visuals and a unique live electronic performance by the Serbian techno artist Marko Nastić, the creator of the original music for A Techno Ballet Odyssey.

After the performance, the night transitions into a full Bootshaus club experience. The dancing goes on until morning with a techno-focused afterparty featuring Pauli Pocket (Kater Blau), SUDO (Drumcode) and Handmade (Tresor), reinforcing the venue’s reputation for high-impact, artist-driven lineups.

A Techno Ballet Odyssey is more than just a party. It represents a new way of experiencing club culture. The event reflects Bootshaus’ ambition to set cultural impulses and push creative boundaries.

With its raw atmosphere, cutting-edge technology and immersive visual production, Bootshaus remains a place where electronic music is constantly reimagined.

VIP access to the event is already sold out, with a limited regular places still available. The last tickets for A Techno Ballet Odyssey and the afterparty at Bootshaus are available here.

Bootshaus launches its own record label: BOOTSHAUS MUSIC

By
Marco Di
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Bootshaus

BOOTSHAUS MUSIC, the official label of the Cologne-based club Bootshaus, is officially launching, uniting the club’s underground spirit with the global infrastructure of Universal Music to create a platform that bridges club culture, credibility, and international reach.

The new imprint is designed to amplify cutting-edge electronic music while staying rooted in the energy and identity that made Bootshaus one of Europe’s most respected club institutions.

BOOTSHAUS MUSIC was founded to provide artists with a transparent, scalable, and future-oriented environment for their releases.

Built on authenticity, collaboration, and a data-driven approach, every track is developed closely with the community, tested live in club settings, and released internationally with high-quality assets.

BOOTSHAUS MUSIC record label
BOOTSHAUS MUSIC

The label is led by an experienced core team:

Jannik Fiedler (Head of Recorded Music) brings over 10 years of experience in label and artist management.

Daniel Busenthür, as Head of Marketing, is responsible for both the club and the label’s marketing.

Felix van Göns (A&R / Product Manager) complements the team with creative intuition and technical expertise as an active producer.

Tom Thomas, Managing Director of Bootshaus, contributes years of experience from the electronic music culture and leads the project with a clear strategic vision and deep understanding of the scene and community.

Niclas Aigner, Co-Founder of Bootshaus Music and CCO of Bootshaus, plays a defining role in shaping the strategic direction of the label and brings creative impulses to its long-term development.

Here’s what the team behind Bootshaus had to say about the label:

“BOOTSHAUS MUSIC carries the same standard of quality that has defined the club for over 20 years.”

The official launch kicks off in February 2026 with the first releases.

 

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Eastern Electrics Festival Returns for 2026 With a Stellar Lineup

By
Alex Gelevski
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Eastern Electrics Festival
Eastern Electrics Festival

The Martinez Brothers, Skream b2b Patrick Topping, Joseph Capriati, Mau P b2b Dennis Cruz, East End Dubs, Groove Armada (DJ set) are set to perform at Eastern Electrics Festival 2026.

After taking a year off, Eastern Electrics Festival returns better than ever on 9th August 2026 at the new London home of Burgess Park.

One of the UK’s most established and trusted electronic music festivals, Eastern Electrics emerges refreshed and reimagined with its signature multi-stage format back in the city where it began, and all for a very affordable ticket price that promises plenty of beats for your bucks.

Set within the gorgeous and easily accessible Burgess Park, a 56-hectare green space spanning Camberwell, Walworth and Bermondsey, the 2026 edition offers a central location and the perfect backdrop for four expertly curated stages.

Consistency, musical credibility and high production standards have long been the MO of Eastern Electrics and this year promises another carefully considered programme spanning house, tech house, garage, minimal and left-of-centre electronic sounds.

Eastern Electrics 2026
Eastern Electrics 2026 Lineup

The Main Stage is led by global US house heavyweights The Martinez Brothers alongside high-profile back to backs from new school disrupters Joseph Capriati b2b special guest, and Mau P b2b Dennis Cruz, plus a very special guest and rising talents Jazzy and Theon Bower.

Across the site, Four Corners brings together underground favorites and scene-shaping selectors including dub, tech and garage flag bearer East End Dubs, master party starter Skream b2b Patrick Topping, plus Obskür, Marsolo, La La and Scarlett O’Malley.

The Plant Room hosts a groove-focused lineup featuring chart topping legends and evergreen headliners Groove Armada (DJ set), plus fresh new sounds from breakout stars Morgan Seatree, Jack Marlow and Hayley Zalassi, while The Dome, hosted by Modern Funktion, delivers forward-thinking club energy with raw, direct house and techno Mella Dee b2b Reeshy, Jamback, Locklead, Truly Madly, Phill De Janeiro & Benji King, Ella Knight and Jude Lenihan.

Since its inception in 2007, Eastern Electrics has been known for being London’s original house music festival, for championing artists early in their careers and consistently booking established names at the forefront of electronic music.

With nearly two decades of experience, the festival remains one of the most reliable and respected brands in the scene and always delivers high-quality sound, thoughtful production and intelligent programming year after year.

Speaking on the return, founder Rob Star says:

“We are so excited to bring Eastern Electric’s back to Central London for our 2026 edition. It’s our 18th year of putting on parties and this line-up is as good as any in our history.

Lots of new DJ’s making their EE debut and some old favorites, ensures this party has something for everyone. Whether you’re an EE veteran or this is your first party, you won’t be disappointed!”

With four full-scale stages, a central London location and a depth of programming rarely seen at one-day festivals, Eastern Electrics 2026 marks a welcome return that will again underline its position as one of the UK’s most essential and reliable electronic music showcases, and all for fantastic value.

Volkoder introduces Picture: Volkoder, a six-track EP on Diynamic Music

By
Marco Di
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Volkoder

Building on a period of steady momentum, Brazilian producer Volkoder introduces Picture: Volkoder, a six-track EP designed as a unified project.

Now landing as Volkoder‘s debut on Solomun‘s Diynamic Music label, the EP arrives as the latest installment in the label’s limited-edition Picture series; a vinyl-only concept that pairs exclusive music with bespoke artwork curated by each artist.

Picture: Volkoder follows previous releases from Adana Twins, Innellea and Karmon, further reinforcing Diynamic‘s focus on cohesive, artist-led bodies of work.

Across six tracks, Picture: Volkoder is shaped with the dancefloor as its central reference point, moving through tightly coiled low-end, rolling percussion and hypnotic grooves that unfold with patience rather than immediacy.

Shaped as a full-night arc, the release maintains a cohesive atmosphere while subtly shifting energy, a sound already tested in real club environments through early support from Solomun, CamelPhat, Mau P and Vintage Culture.

Percussive elements sit at the core of the EP, driving momentum as restrained synth lines and atmospheric textures evolve over extended play, resulting in a body of work that feels immersive, flexible and grounded in Diynamic‘s dancefloor-first ethos.

Picture: Volkoder Diynamic Music
Volkoder Picture: Volkoder Diynamic Music

Here’s what Volkoder had to say:

“Being part of Diynamic’s Picture Series is something very special to me. It’s a limited edition, with strong curation and a very clear identity, and being number 14 in the series represents an important moment in my journey.

This EP was born on the dancefloor, from long nights and from my relationship with more direct, hypnotic grooves full of personality. Each track represents a different moment of the night, but they all connect with each other, maintaining the same atmosphere and intention.

Even before the release, Solomun had been playing all the tracks from the EP in most of his sets during his Ibiza residency. After that, artists such as CamelPhat, Mau P, and Vintage Culture also started including the tracks in their sets, which for me is a very special recognition of this work.”

Volkoder‘s global rise took shape in 2014 with the release of the Detroit EP, which title track earned heavy rotation from Jamie Jones, Carl Cox, Marco Carola, and The Martinez Brothers, alongside more than 15 entries in the Beatport Top 100.

A year later, “Sensation” became the most played track of the Ibiza summer, accelerating his international profile. Since then, he has performed at key venues and festivals worldwide, including Ministry of Sound (London), Space Miami, Eden Ibiza, Green Valley, Warung Beach Club, and Tomorrowland Brasil, while building a catalog of over 200 releases across influential labels such as Hot Creations, Catch & Release, Black Book Records, Defected, and Diynamic Music.

In 2025, Volkoder released the ‘Need Your Body‘ EP on Hot Creations, delivered releases via Maccabi House by Adam Ten and Mita Gami, and dropped Act Up (Bad Boy) on Black Book Records, earning direct support from Chris Lake, John Summit, and James Hype.

Unbound by a single sonic identity, his music continues to connect across scenes and generations, reinforcing his reputation as a versatile, forward-facing artist with lasting dancefloor impact.

Listen to the EP below.

Sting Added to UNTOLD Festival 2026 Lineup

By
Marco Di
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UNTOLD Festival

Sting, the legend that inspired generations, headlines UNTOLD Festival 2026.

Internationally acclaimed artist Sting — composer, singer-songwriter, and former frontman of The Police, continues to prove why he remains one of the most influential figures in modern music.

With over 100 million albums sold and 17 Grammy Awards to his name, Sting’s impact stretches across generations and genres. His career is further marked by multiple BRIT Awards, a Golden Globe, an Emmy, several Academy Award nominations, and induction into the Songwriters Hall of Fame.

 

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In 2026, Sting will continue his “STING 3.0 World Tour,” a global run that reimagines his greatest hits and rarities through the raw energy of a powerful trio — including a special appearance at UNTOLD Festival.

Joined by longtime guitarist Dominic Miller and drummer Chris Maas, Sting delivers intense, stripped-down performances of classics such as “Roxanne,” “Fields of Gold,” and “Englishman in New York,” alongside new material like his latest single, “I Wrote Your Name (Upon My Heart).”

The “STING 3.0” era marks a bold new chapter for the legendary artist, showcasing selections from his vast catalog through the intensity of a tight three-piece setup. The tour also inspired his new single “I Wrote Your Name (Upon My Heart),” mixed by four-time Grammy Award–winning engineer Robert Orton and released via Cherrytree Music Company/Interscope Records.

Alongside the tour, Sting has released a new live album, STING 3.0 LIVE, available digitally, on CD, and on 180g vinyl. Recorded during the current world tour, the album features a collection of Sting’s greatest hits, including “Be Still My Beating Heart,” released for the first time ever as a live version.

The 10-track digital release also includes a live rendition of “Fragile,” originally released in 1987 and recently reintroduced to a new audience after being covered by a children’s choir in the Netflix miniseries Adolescence.

 

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The “STING 3.0 World Tour” has already seen multiple swift sellouts and glowing reviews from critics:

“It was the kind of night — world-class performers, and performance, in an intimate space — that gets talked about for years.” — Oakland Press

“Sting blends charisma, intellect and sonic sophistication on this tour.” — USA Today

“[Sting’s] voice is as strong as ever, he’s still one of the greatest bassists of all time, and he’s a consummate performer.” — Consequence

“…a level of cool craftsmanship and stage presence that is both admirable and mesmerizing.” — The Atlanta Journal-Constitution

 

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Sting joins the first wave of artists announced for UNTOLD Festival 2026, titled UNTOLD ONE, a lineup that reflects the artists who have shaped pop and electronic culture over the past decade.

The first phase includes Lewis Capaldi, making his Romania debut at UNTOLD, alongside Flo Rida, Swae Lee, Martin Garrix, Kygo, The Chainsmokers, Marshmello, Lost Frequencies, Sebastian Ingrosso, Afrojack, R3hab, Steve Aoki, Mëstiza, and Tash Sultana.

UNTOLD Festival 2026 Lineup Phase 1
UNTOLD Festival 2026 Lineup Phase 1

UNTOLD Festival 2026 marks a new era for the Romanian mega-festival, taking place August 6–9, 2026, in Cluj-Napoca, with over 200 artists set to perform for more than 470,000 fans from around the world.

Tickets available HERE.

Claptone Announces His Fourth Studio Album ‘Wanderer’

By
Marco Di
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Teased for over a year, Claptone officially announces his fourth studio album, Wanderer, set for release on May 8, 2026, on his very own Golden Path / Warner ADA imprint.

The album feels like both a continuation and a transformation. It deepens the dreamlike universe that has defined Claptone‘s artistic identity for over a decade, bringing together new influences, collaborators, and a refined sense of musical direction for the year to come.

The new album expands Claptone‘s sonic language with quiet confidence. Analogue textures and organic instrumentation weave through his trademark melodic house framework, creating a body of work that feels fresh in its approach, yet unmistakably his own.

Across its 11 tracks, Wanderer highlights Claptone‘s enduring skill as one of dance music’s most versatile producers, not only navigating a wide range of styles but also elevating the voices he works with and stepping beyond the dance floor into a more restrained, deeper, and revealing realm.

In Claptone‘s words: “Rather than chasing immediacy, Wanderer exists in the fragile tension between clarity and haze, dream and reality – introspective without retreating inward, emotional without losing precision. I wanted each track to feel alive and breathing, gently reshaping the moment instead of demanding it.”

The journey began in 2025 with the release of ‘Put Your Love On Me‘ featuring Sea Girls, ‘Turn Up The Love‘ ft Crystal Fighters, and ‘Phantasy‘ ft Raphaella – early signs of the album’s atmospheric architecture.

Warm, finely balanced, but with the unmistakable club melodies that have propelled Claptone to dance music’s highest echelons, the singles revealed an evolving artistic language.

On January 16th, ‘Black and Gold,’ featuring the sensual vocals of Hannah Boleyn, was released and quickly gained support from Capital Dance, BBC Radio 1’s Danny Howard, and Kiss FM. Further chapters of Wanderer will unfold in the months ahead.

“In an era of overexposure, Wanderer embraces the power of the unknown: A record that offers escape without detachment, introspection without isolation, and invites listeners into a parallel space where curiosity opens hidden doors, where beauty lingers just beyond reach, and where even the quietest moments shimmer with possibility,” says Claptone.

With Wanderer, Claptone marks a new chapter and invites listeners into his most welcoming artistic vision yet, fusing the sounds people want to hear with those they did not know they needed. It reflects an artist always evolving, drawing on years of experience while staying open to new ideas, collaborators, and musical directions.

Claptone‘s fourth studio album, Wanderer, is out May 8 via Golden Path / Warner ADA.

Pre-save here.

Eli & Fur Bring Announce Next EP with New Single “Strange”

By
Andry Bosk
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Electronic duo, Eli & Fur (Eliza Noble and Jennifer Skillman), unveil their inaugural release of 2026, “Strange.”

Out now via PIAS, the track opens the portal to their sonic realm, diving into the labyrinth called love and arriving as the first from their upcoming EP, “Dreams At Dusk Pt. II”, set to drop May 29, 2026.

Trading their signature ethereal style for a darker more ominous sound, “Strange” is an exploration of love’s most poignant questions. Eli & Fur embark listeners on a sonic journey through sparkling synths, haunting melodies, and breathy vocals the track culminates with a synth-heavy crescendo to finish.

Its pulsing heartbeat and remarkably atmospheric cadence make for a groove that’s as somber as it is irresistible. Daring to unearth secret truths, “Strange” is an emotionally charged confession – one that is honest, vulnerable, and intense.

Eli & Fur Strange
Eli & Fur – Strange

Here’s what Eli & Fur had to say:

“We wrote Strange on a piano in a San Rafael Airbnb, just the two of us, in the middle of the Dreams at Dusk West Coast tour. Watching the boats across the harbour as the fog rolled in, the song took shape in a moment where everything felt slightly unsteady but alive.

Lyrically, Strange explores that feeling of being pulled toward something you don’t fully understand and the tension between wanting to run and wanting to get closer. It’s about questioning what’s real, what’s slipping away, and the thrill of the unknown.”

Eli & Fur are more than just a DJ duo. Bound by a shared vision and years of collaboration, they continue to push the boundaries of electronic music through a deeply personal lens.

Since emerging in 2013, they’ve built a sound defined by emotive vocals, cinematic synths and rolling basslines – a mix that feels both intimate and expansive. Their discography includes collaborations with Camelphat, MEDUZA, and Booka Shade, along with releases on their own label NYX Music and leaning imprints such as Crosstown Rebels, Anjunadeep, Cercle and Armada Deep.

They’ve also remixed artists including Sasha, Bob Moses, ODESZA and Shouse, earning consistent support from the likes of Boiler Room and BBC Radio 1’s Essential Mix.

Listen to the track below.

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