Claude VonStroke returns with “Static In The Deep End,” the first taste of his forthcoming album, Wrong Number – a misguided musical offering for anyone still chasing the feeling of a dark room, a proper sound system, and zero interest in what’s trending.
More than 20 years into his career, it has become clear that Claude never quite got the memo. “Static In The Deep End” contains no superstar DJ collaborations, no chart-ready vocal hooks, and absolutely no giant drum builds engineered for fireworks and cryo blasts. Instead, it drifts confidently in the opposite direction – engineered to provoke feelings instead of bottle service.
One can imagine Claude alone in the studio, obsessing over drums like it’s still the early 2000s, sampling himself, tweaking microscopic details no one asked for, then dancing around the room like a freak. The track leans into late-night energy – slightly crooked rhythms, patient tension, and grooves that don’t scream for attention but quietly pull you under.
Inspired by the spirit of long-lost German minimal and house labels, “Static In The Deep End” comfortably exists in its own lane. It’s hard to explain exactly what’s happening inside the record, but it’s obvious Claude is perfectly fine not playing the game. He’s more than happy to call the wrong number and have a conversation with something unfamiliar.
The result feels like a club track from another time – or maybe from a parallel universe where quality rules the day. One detail that makes Wrong Number even more insular and personal: nearly all of the vocals across the album come from inside the VonStroke household. Every sung phrase, vocal texture, and strange little grunt throughout the record is performed by Claude’s son, Jasper.
Jasper, currently in his second year at USC as a pop vocal major (one of just eight students accepted into the program from thousands of applicants), is also opening for Claude as a DJ on his U.S. tour this summer. Rather than chasing features or big-name collaborators, Claude kept the entire vocal palette in-house. It’s another “wrong” decision that feels exactly right – raw, personal, and free from expectation.
The single also marks the beginning of Claude’s current run of intentionally intimate shows across Japan and Europe. Small, sweaty rooms built for people who actually want to listen. Sometimes as few as 300 heads. Big paydays politely declined.
Claude may be dialing the wrong number for right now, but if you pick up, you might realize you’ve been missing this kind of call all along.
Listen and pre-order below!
Alongside the release, Claude is launching a run of intentionally intimate shows across the U.S., Japan, and Europe, focusing on small-capacity rooms and underground club culture rather than festival mainstages.
Tour Dates:
March 14 — Los Angeles, CA — 1720 Warehouse
March 21 — Nashville, TN — Deep Tropics Festival
Apr 3 — Tokyo, Japan — Vent
Apr 24 — Copenhagen, Denmark — Culturebox
Apr 25 — Prague, Czech Republic — Part Time Locals
Apr 26 — Berlin, Germany — TBA
May 1 — Geneva, Switzerland — Audio Club
May 2 — Amsterdam, Netherlands — 19 Below
May 7 — Leeds, United Kingdom — Distrikt.
May 8 — Bristol, United Kingdom — Clock Factory
May 9 — London, United Kingdom — Night Tales
May 15 — Oslo, Norway — Jaeger
May 16 — Cologne, Germany — Gewölbe
View this post on Instagram
