We sat down with Fede Spamer to explore the ideas and creative process behind his latest release, ‘Neon City’. Inspired by the vibrant nightlife and futuristic atmosphere of Kuala Lumpur, the track captures a unique blend of cinematic textures and driving groove, showcasing a refined and immersive approach to production.
With a focus on detailed sound design, layered atmospheres, and emotional energy, ‘Neon City’ reflects a new level of intention in Fede’s evolving sound.
In this conversation, he shares the inspiration behind the record, the challenges of bringing it to life, and the mindset shaping his current direction as both a producer and performer.
Check out the full interview below!
Hi Fede, how are you feeling today?
Hi! I’m doing great, thank you.
Was there anything in particular that served as an inspiration when creating “Neon City”?
It was actually the city of Kuala Lumpur that inspired “Neon City.” I produced the track while I was staying there, and the atmosphere at night really left an impression on me. The city lights, the skyline, and the futuristic energy all came together in a way that pushed me toward that sound.
How would you describe the overall “vibe” or mood of this release?
I’d describe the overall vibe of the release as cinematic, futuristic, and energetic. It draws a lot of inspiration from science fiction, both in atmosphere and sound design.
I wanted it to feel immersive, almost like stepping into a different world, with a sense of movement and intensity that carries through the entire track.
How did you approach and produce the sound design of this track?
For the sound design, I approached it with a very atmospheric and cinematic mindset. I focused on creating textures and layers that evoke a futuristic, sci-fi feel while keeping the groove strong and club-oriented.
I used a mix of synthetic elements, sharp leads, and evolving pads to build depth, making sure each sound had its own space in the mix. The goal was to create something immersive but also energetic, so it works both as a listening experience and on the dancefloor.
What were the most challenging, and exciting parts of the process of creating “Neon City”?
I would say the most challenging parts were getting the bass to sound exactly how I wanted, and the mixing process was also more demanding than on other tracks I’ve created.
There are a lot of elements, so I had to be very careful with how everything sits in the mix. I wanted each sound to have its space and for every frequency to be heard clearly.
The most exciting part is always building the melodies and seeing how they come together throughout the track. I especially enjoy working on the build-ups and drops, making sure each one has its own distinctive feel. For the buildup, I wanted to introduce a slightly melancholic tone, which adds another layer to the overall energy.
Were there any unique “Easter eggs” or hidden sounds in the production that listeners might miss on the first play?
Yes, there are a few subtle details that might not stand out on the first listen. For example, just before the drop, I added some background pads that are designed to sound a bit like an oboe.
In the drop itself, there’s also a very subtle vocal in the background saying, “Feel the adrenaline rise.” It’s mixed quite low, so it works more as a texture than a main element.
Beyond that, there are multiple small elements layered in the background, mainly to support the harmony and add depth. They’re not always obvious, but they help shape the overall atmosphere of the track.
Did “Neon City” come together quickly, or was it a project that required many different versions to get right?
I usually start a lot of projects every month, but only a few of them end up being selected for a possible release. The ones I choose are the ones I really connect with.
With those tracks, everything tends to come together quite quickly. In that sense, it’s usually the first version that sets the foundation, and the rest of the process is about carving the sound and refining the different elements.
Also, once I get the vocals right, everything really starts to flow for me. That’s usually the point where the track fully comes together.
How do you decide when a track is finally “finished” and ready for the world to hear?
It’s pretty simple. A track feels finished when I know that no more elements need to be added and everything already in it has a clear purpose.
At that point, I also do a final check using some plugins to make sure everything is sitting where it should in the mix. Once everything feels balanced and in place, and I can feel that the track tells its own story, I know it’s ready.
What are you most proud of regarding your personal growth and confidence as a creator since you first started releasing music?
I think the main thing is becoming more confident in my sound and not being afraid to try new things. When I first started releasing music, I was more focused on what might work, but over time I’ve learned to trust my own instincts a lot more.
I’ve also grown in terms of being more patient with the process and more intentional with the details. Now I have a clearer sense of what I want to express with each track, and I’m more comfortable standing behind my creative decisions.
What advice would you give to other producers who are starting out in this industry?
Start as many tracks as you can. The more you create, the more you learn. Even if you don’t have access to everything you think you need, it doesn’t matter; you can still make it work.
Trust your instincts and don’t focus too much on what other people say. At first, things might not sound exactly how you want them to, but if you keep learning and pushing yourself, you’ll be surprised by what you’re able to achieve.
The key is having a clear vision of what you want to achieve and staying consistent with it.
Finally, how does this track set the stage for your upcoming performances in 2026?
This track really sets the tone for what’s coming in 2026. It represents the direction I want to take with my sound, more refined, more intentional, and with a stronger identity.
It’s also something I can translate into a live setting, especially in terms of energy and atmosphere. I want my performances to feel immersive, and this track is a good example of that balance between emotion and impact on the dancefloor.
As his journey continues to move forward, Spamer remains intentional in his approach, sustaining a commitment to authenticity and creative evolution. With ‘Neon City’ signaling the next steps for the Producer and DJ, the emphasis stays on refining ideas within the studio and translating them effectively into a live setting.
So, with more still to come from Fede Spamer, be sure to keep up with him via social media to stay up to date on his next releases, projects, and performances.
Listen to the track below.
