Known for tearing down genre walls and rebuilding them on the dancefloor, Fenrick has quickly carved out a lane of his own — blending UK garage, 90s trance, techno, hard house, and electro into high-energy sets that feel raw, emotional, and unpredictable in the best way.

We caught up with Fenrick to talk about his evolving sound, how he balances diversity with identity behind the decks, and the mindset that drives his latest productions.

From sold-out club nights to international stages, the project continues to grow — and as he tells us, the journey is far from slowing down.

Check out the full interview below

1.⁠ ⁠Your universe blends UK garage, 90s trance, techno, hard house… How do you manage to bring all these influences together in a coherent set without losing your identity?

People who know me well know that my identity is precisely this diversity of musical genres. I don’t prepare my sets that much, but I know my tracks very well: I know which ones work together and which ones don’t. I also love finding new, unexpected combinations.

In the end, it’s mainly about feeling in the moment, during the set, and about the connection with the crowd.

2.⁠ ⁠You’ve spoken about a real musical evolution over the past year. What was the main trigger for this change, and what did you leave behind?

I think the Fenrick project is something that has always been evolving, and will always continue to evolve, both musically and aesthetically.

I’m constantly looking for change in order to push my creative limits. I also really dislike conformism or having to fit into a box and restrict myself in my creative process.

3.⁠ ⁠Concretely, what do you want the audience to feel when they leave a Fenrick set?

I really want people to dance, put their phones away, and take that moment to pause everything: sing, scream, cry if they need to… just let go and be fully connected together on the dancefloor.

I’d like them to leave the set feeling like they’ve discovered, or rediscovered, tracks and a different way of playing them.

4.⁠ ⁠Your latest tracks show an exploration of more electronic sounds. How do you approach production today compared to your beginnings?

Electro has always been a core part of my childhood and teenage years, just like UK garage or house. So it felt natural for me to explore this genre, which is so versatile and diverse, with no real limits.

I don’t think my approach to production has changed that much. What has evolved is mainly my knowledge and production skills, but my intention remains the same as in the beginning: making music that I truly enjoy first and foremost.

5.⁠ ⁠You’ve played major venues and festivals across Europe and internationally. Is there a country that particularly marked or influenced you?

I have a deep love for Belgium: the scene, the people, and the rave culture inspire me a lot. Internationally, Latin America really stood out to me because of the crowd’s energy.

More recently, Australia has also had a big musical influence on me: I met many very talented producers there. There’s a real musical vibe, and I love that.

6.⁠ ⁠In October 2025, you launched the Fenrick <3U nights with a sold-out first edition at Fuse. What’s the vision behind this project and the message you want to convey through these events?

I’m already incredibly happy to have launched this project, which was very close to my heart. The idea is to invite artists whose style I love, while also introducing new talents to the audience, in a friendly, inclusive, and respectful atmosphere.

I love my crowd, their energy and diversity, and I’m very grateful for their support, so I want to offer them a club experience that reflects who they are. More dates are coming in new cities and countries, and I’m really excited to see how these nights will be received by a wider audience.

7.⁠ ⁠Looking ahead, what can we expect from Fenrick: more collaborations, new set formats, or an entirely new sonic direction?

I really want to collaborate with singers and producers from different musical backgrounds, in order to create something even more innovative. I’ve also significantly lowered my BPM recently, and it’s a real pleasure to make people dance to stronger grooves at slower tempos, especially after a period where there was an intense race towards very high BPMs and increasingly harder music.

With a sound that refuses to sit comfortably in one box and a clear vision for how club culture should feel — inclusive, emotional, and fully lived in the moment — Fenrick is building more than just sets; he’s building experiences.

Whether it’s through his evolving productions, his genre-fluid performances, or the expanding FENRICK <3U nights, his focus remains on connection, freedom, and movement on the dancefloor.

If the past year is any indication, the next chapter of the Fenrick project is about to get even more interesting — and we’ll definitely be keeping our eyes on what comes next.