Landing on Insomniac’s newly established label, the exciting duo bring their signature techno soundscapes to dive into deeper, darker realms, with the single set for release on 9th August 2024.
German collective Township Rebellion have risen through their native scene to make an indelible mark on the international techno landscape.
This year alone, the duo have made highly-anticipated returns to RÜFÜS DU SOL’s Rose Avenue and Adam Beyer’s Truesoul Records, with their wide sonic palettes capturing the attention of both label maestros and industry titans, including Camelphat, Joris Voorn, Adriatique and many more.
Township Rebellion – Eternal Affair
Amidst a whirlwind year that has already witnessed captivating performances at Drumsheds in London and Berlin’s iconic Watergate under the Drumcode banner, they now unveil their first outing on Interstellar Recordings with ‘Eternal Affair‘ unveiling their latest late-night expedition of celestial melodies.
‘Eternal Affair‘ is a sonic journey that launches the listener into a hypnotic state with its haunting layers. The deep, pounding beats provide a solid foundation, while the spiraling rhythm and shimmering soundscapes evoke a sense of mystery and anticipation, crafting another essential gem to serve as a standout moment in their sets.
Acclaimed DJ and producer The Magician has just dropped latest single, ‘Estate 1997 in Italia’, featuring the mesmerizing vocals of the talented singer Phra. A tribute to Italy and its vibrant culture, this is the second official single from The Magician’s upcoming studio album, ‘VOYAGE’.
‘Estate 1997 in Italia’ takes listeners on a sensory journey, where the warmth of the sun, the striped umbrellas, the sweet taste of ice cream and the sound of the waves blend harmoniously with the music.
With its infectious beat, captivating melodies, and Phra‘s distinctive vocal performance, the single is a delightful blend of electronic and pop influences, showcasing The Magician‘s signature sound that has garnered him a global fanbase.
‘VOYAGE’ marks a significant milestone in The Magician‘s illustrious solo career spanning 15 years. Known for his multiple top ten hits and original remixes for artists such as Lykke Li, Clean Bandit, Years & Years, and Tom Grennan, The Magician is finally set to unveil his first-ever studio album.
The Magician – ‘Estate 1997 in Italia’
A labour of love, ‘VOYAGE‘ is a phenomenal 15-track journey that truly showcases his musical wizardry, crafted not for the dancefloor but as an invitation to travel on earth and beyond through his sounds.
The name ‘VOYAGE‘ is representative of travel, an integral part of The Magician‘s life for many years. It reflects the ways in which travel enriches, recharges, and awakens the soul, and the influence this has inevitably had on his sound.
It is a simple yet evocative title that mirrors the diversity of experiences music can offer, whether a physical journey through the stars or an emotional journey through sounds and rhythms, The Magician seamlessly conjures an atmosphere conducive to discovery, exploration, and escape.
“When I thought about my album, I didn’t want to create something for the club but rather something to listen to, whether on a plane, in a car, on a boat, on foot… I wanted to provide a sonic journey that reflects the sensations that take you when you are on the move, with a panorama before you,” The Magician
Adding to the album’s immersive quality, The Magician has collaborated with the prestigious multidisciplinary creative studio Werlen Meyer to create all artworks and animated visuals for his rich tapestry of tunes.
Captivated by The Magician‘s project, co-founder Gwenn Germain—a talented director and cartoonist who has previously worked with Wes Anderson—has taken on the design of all accompanying visuals, bringing the songs’ themes to life.
Body Language’s premiere house music event is returning in the tradition of Danse Macabre, as Super Unnatural returns to the indigo, burnt orange, and crimson-painted skies in the lux setting of Scottsdale, Arizona, November 01 and 02, 2024.
Falling on the traditional holiday of the Day of the Dead, Super Unnatural is a two-night event taking place at WestWorld– one of the Southwest’s premiere entertainment venues surrounded by some of the country’s best luxury resorts, restaurants, and hotels.
Recognizing the ephemeral nature of life, Super Unnatural has summoned a robust dose of talent, including headliners: British producer/ house music DJ Chris Lake, progressive house producer Eric Prydz, OG and international legend Fatboy Slim, and a pairing of Brazilian phenom- Mochakk B2B with the dynamic Ibiza duo by way of the Bronx- The Martinez Brothers.
Super Unnatural 2024 lineup
Additional artists joining the celebration include Dombresky; Hugel; Lilly Palmer; Patrick Topping; Aluna; Dillon Nathaniel; Sergik; Tommy Toole, and Waykin.
Visit the official website for all ticket options, as well as extras like merch, afterparties, parking, and table reservations.
Australian DJ and producer Odd Mob is back with an exciting new remix of the international hit ‘Ready For Your Love’ by Felix Jaehn. Released under Virgin Records this track brings a vibrant new sound that complements the original release while showcasing Odd Mob’s unique style as he brings his own twist.
Since its original release earlier in the year, ‘Ready For Your Love‘ has become a true pride anthem. The captivating lyrics, paired with Sophie Ellis-Bextor‘s distinctive vocals and Felix Jaehn‘s energetic beats, have made it a standout hit, garnering over two million streams in just a few weeks.
Now, for its next spin, Odd Mob has reimagined the track with his signature deep percussions, stripping it down to just the kick and vocals and creating an atmospheric build that breathes new life into the song.
Felix Jaehn – ‘Ready For Your Love’ Odd Mob remix
For the DJ and producer Odd Mob, there are no limits in sight as he goes from strength to strength with hit releases like ‘LEFT TO RIGHT‘ and ‘Give You.’ His impressive portfolio includes collaborations with LA producer OMNOM, such as ‘Losing Control‘ and the recent ‘All Day, All Night,’ which collectively have surpassed over 50 million streams across platforms.
Developing a flair for identifying unique sounds, he has become known for his ability to diversify across genres, emphasizing the unconventional. Spending years meticulously honing his craft, Odd Mob has firmly planted himself at the forefront of global electronic music’s future.
Odd Mob broke through with the ubiquitous 2014 track ‘Is It A Banger,’ charting in Triple J’s “Hottest 100” and surpassing 8 million streams across platforms. Alongside producing, Odd Mob has been busy touring the world and performing on monumental stages such as EDC Las Vegas, Coachella, and elrow.
This release is set to make waves in the music industry. Don’t miss out on experiencing the dynamic energy of Odd Mob‘s remix of ‘Ready For Your Love,’ available now.
Sad Madona is a solo-project from Paris, France, fusing elements of darkwave, coldwave, post-punk, and shoegaze to create a captivating and emotive sound that he describes as “dramatic dance” – a sound that is as emotive as it is danceable.
Ellen Allien is an iconic figure in the techno scene and a visionary heart of Berlin’s electronic community – well known in cold wave circles for creating her techno edits of bands such as Ash Code and Lebanon Hanover.
“I love Sad Madonna’s music, so I was so happy when he asked me to do a remix, which we will bring out on bpitch this summer.
Ellen Allien – ‘Witch Coast‘
I made the remix in Ibiza over the winter. His piece of art I transformed to a piece of allien dance floor ufo art. I love to bring my favourite songwriters and cold wave bands into my DJ techno sets. I am touched deeply by melodies – I’m addicted to melancholic catchy and uplifting melodies from my favorite synths .. synths are magic.”
Kode PinK has been making waves with their impressive achievements. Over the past two years, they’ve amassed over 1,000,000 Spotify streams, receiving praise from SpaceYacht and Austin Kramer.
Their collaborations are notable, including work with Korean-American pop R&B star Justin Park on “All A Lie,” featuring Miss Philippines 2023, Arianna Kyla Padrid, and partnering with multi-platinum singer Lauren Dyson on “Better Without You,” starring Vivian Dawson and Rebecca Benedict.
The “How The Great Have Fallen” video, featuring Michelle Hayoung Park, showcases their growing influence.
Their latest release, “How The Great Have Fallen,” with singer/songwriter bnji, dives into the emotions following a breakup. The duo cleverly contrasts somewhat sad themes with upbeat instrumentation, creating a juxtaposition that’s infectious and easy to return to.
Kode PinK, the duo of Kenan Nadar and Calvin Htet, bring a fresh energy to the dance pop scene. Kenan, a pediatrician, and Calvin, an IT specialist, manage their demanding careers while pursuing their passion for music.
Their mantra, “no dream too big,” inspires fans to chase their dreams regardless of their backgrounds, blending the playful essence of pop with the driving force of electronic music.
Following its lauded flagship celebration in Mannheim, foremost electronic music institution Time Warp unveils its 30-year anniversary celebration in New York, in partnership with longstanding partner and events collective Teksupport. Taking place 22-23 November, the event will see 21 artists perform over 2 nights across 2 floors of Brooklyn Navy Yard.
A pillar of the global techno community for 30 years, Time Warp‘s cultural significance expands far beyond its roots in Mannheim. Its peerless fusion of cutting edge production, dynamic programming, and immersive audio/visuals set a global standard for world-class electronic event experiences.
Time Warp has built itself around a legacy of family, a refrain repeated again and again both within the community of artists that have grown central to the event, and the tens of thousands of fans who make the pilgrimage to Mannheim every year.
In line with Time Warp‘s customarily deft approach to sonic curation, the New York celebration will see both new and established members of the Time Warp family perform. Longstanding Time Warp affiliate Sven Väth — a part of the festival since its debut in 1995 — will join a host of familiar faces in Chilean minimal maestro Ricardo Villalobos, Nina Kraviz, Héctor Oaks, and Kobosil, artists interminably entwined in Time Warp‘s revered history.
Time Warp New York 2024 lineup
Perennially acclaimed for its progressive programming, the event will see further performances from an array of visionaries across the house and techno spectrum. Marquee billings include scene veteran DJ Tennis who’ll perform back-to-back with Innervisions affiliate Jimi Jules, Anfisa Letyago who will play with Héctor Oaks, and Indira Paganotto.
The lineup continues with a swathe of next generation talent that represent the new eclectic tides of global electronic, such as Afriqua, DJ Gigola, AQUTIE, Patrick Mason, Tony Y Not and more.
Longtime partner for Time Warp, TCE Presents has transformed New York nightlife in the past decade, pioneering large-scale events in and outside the city, at groundbreaking venues under a portfolio of event brands led by the house and techno focused Teksupport.
TCE Presents produces over 150 shows per year, the US editions of iconic overseas brands such as CircoLoco and Time Warp, and produces shows with headlining artists like Michael Bibi, Justice, Peggy Gou, Solomun, Honey Dijon, John Summit, and more.
With events spanning 3 decades across the globe, revelers in New York this November can expect Time Warp‘s seamless blend of inclusivity, exceptional production, and unrivaled curation upon its return.
Grammy-winning, Ivor Novello-nominated live electronic trio NERO have shared ‘Solar’, the final single ahead of their highly-anticipated third studio album Into The Unknown due out August 16. ‘Solar’ follows the album’s previous singles ‘Truth’, ‘Blame You’, ‘Draw Energy’, and ‘Too Many Questions’.
The final taste of NERO‘s impending album is an everlasting, cosmic array of the powerful vocals and whirlwind sounds that fans can anticipate on Into The Unknown. ‘Solar‘ is a wondrous prelude into the album as it mirrors the ambitious production and fantastical songwriting threaded throughout the NERO universe.
Led by Alana‘s starry-eyed vocals, ‘Solar‘ is equal parts anthemic and poetic, beautiful yet shadowy, and dynamically complex on a sonic level.
Here’s what NERO had to say:
“This track started with the lead line and the vocal topline. We tried a few different versions but it wasn’t until we started getting scenes back from the music video that we really honed the vibe. We were writing it whilst watching a rough cut of the video and as a result the song took on a cyberpunk-like, futuristic feel. A mix of energy and melancholy.”
NERO – Into The Unknown
Last year, Daniel Stephens, Joe Ray, and Alana Watson reemerged as NERO with their first solo single, ‘Truth‘, following a five-year hiatus. Nearly a decade since the band headlined Coachella‘s Outdoor Stage (2015) and premiered their second studio album Between II Worlds, NERO will conclude their album trilogy this year with Into The Unknown.
Marking a significant return for NERO, Into The Unknown traces the final chapters of the trilogy’s post-apocalyptic tale while encapsulating the band’s 20-year career and the boundless cross-genre antics that have solidified the trio as electronic innovators.
A testament to their UK rave roots, the album has already touched on styles like UKG, dubstep, and drum & bass through its diverse singles, with each addition to Into The Unknown deepening the futuristic lens of NERO‘s creativity.
‘Solar‘ arrives ahead of NERO‘s long-awaited third studio album Into The Unknown, due out August 16, and headline U.S. tour, which is on-sale now.
In anticipation of the 2024 UNTOLD Festival, we sat down with Marijn van Sasse van IJsselt, the show’s creative force and show director. With a unique blend of creativity and technical prowess, Marijn plays a pivotal role in orchestrating the spectacular experiences that define UNTOLD.
In this interview, Marijn shares insights into the dynamic world of show direction, highlighting the delicate balance between managing technical challenges and crafting extraordinary moments on stage.
He reveals how he collaborates with top-tier artists to ensure each performance is a memorable masterpiece. As we look forward to this year’s festival, Marijn gives us a glimpse of what to expect, promising bigger and more breathtaking shows that push the boundaries of imagination.
UNTOLD Festival
Check out the full interview below!
For those who don’t know, what do you do as a show director?
As a show director, I’m responsible for multiple aspects, but the most important one is running the show. I love working in the heat of the moment and juggling various elements.
My job is to ensure everything on stage goes smoothly and to address any issues that arise without the audience noticing. Additionally, I constantly monitor the stage and surroundings to see if there are any improvements to be made. You could call me a perfectionist.
I also work on the creative aspects of an event by producing timecode shows, from concept creation and show development to design and on-site programming. Think of special shows like the UNTOLD opening in 2023 with ALOK or the sponsor moments you see on stage during changeovers. I feel very privileged to work in such a position with these responsibilities.
What drew you to this field, and what do you find most exciting about working on the show aspects of a festival like UNTOLD?
Show direction is the perfect combination of creativity and technical expertise. On the one hand, I collaborate with amazing people to produce incredible experiences. On the other, I guide the team throughout the show, being precise with data and information for everyone involved.
You can prepare an event perfectly, which is why I also handle technical advancing with all the artists. However, there will always be unpredictable elements: an artist missing a flight, a technical mishap, or an artist enjoying the audience so much that they lose track of time.
This happens all the time; some artists are notorious for talking too much during their performances, resulting in them going over their allocated time and me having to adjust the schedule.
I’m always happy to create more space for a passionate artist who enjoys the show and the audience. But it’s also my job to ensure the teams have enough time to prepare for the next set and that the next artist has sufficient time for their performance.
The end goal is always to leave the audience amazed, the crew proud, and the artists and their teams relaxed and happy with their show.
UNTOLD Galaxy stage
Working closely with artists to complement their performances is key. Can you share some insights into how you collaborate with them from a show perspective?
Working with artists and their teams always creates a unique dynamic. On one hand, I’m there to help them make the best show possible. On the other hand, I’m the gatekeeper of UNTOLD brand and identity. It’s always fun to make those worlds collide and see what shows we can develop together.
For instance, we worked with ALOK and his team last year to create UNTOLD opening show by integrating the Rebirth of the Phoenix into one of his brand-new tracks. Fun fact: We created this entire show two weeks before the event because the opening show itself was a last-minute addition.
Looking back, I still find it amazing that we made it happen in such a concise time frame. The entire UNTOLD team came together with ALOK’s team, creating custom visuals reflecting the magic of the story, a unique light/laser show with the biggest fireworks display until that point. (Yes, this year will be even bigger.)
What was a difficult situation from a past show, and how did you manage it while maintaining the festival’s needs?
One year, an artist (who shall not be named) stated in their rider that if there was any illuminated branding in the venue, it should be turned off. Five minutes before their show, the tour manager demanded that the festival logo be shut off.
As the logo was part of the stage decoration, the team signing the rider did not think the logo was considered branding—a very subjective topic, depending on who you ask.
At that moment, after going back and forth, we decided to turn the logo off to be able to start the show. Sometimes, you have to make tough decisions considering the greater interest of the event as a whole, starting the show without a logo, even if we did not agree with it, or the artist not coming on stage.
As a funny upside, we later learned that the artist got upset with his team for switching off the logo screen, which also made his show recognizable for being at the UNTOLD festival. He was proud to play here, and from that point, the logo stayed on without exception. HINT: It’s the only set ever not to have the logo on. Enjoy your musical scavenger hunt.
UNTOLD Daydreaming Stage
As UNTOLD 2024 approaches, what are you most excited about regarding the performances, and are there any particular shows or elements you think will be a highlight this year?
It is always a pleasure to work with new teams, see how they use the space we provide, and make it their own with special productions and visuals. That’s also something I enjoy, as it’s never the same.
I’m constantly working with different teams, different artists, and different opinions. For this edition, Sam Smith is a highlight, and their team was incredible to work with in preparing for the event. I can’t wait to see how the performance will be.
Also, together with the pyro team, we have prepared a couple of new show elements this year: expect new fireworks effects, such as a peacock position behind the stage, incredible amounts of confetti, and new additions to the catwalk that will bring the special effects up close and personal. We will quite literally fill the stadium with confetti.
Sponsors were also very daring this year, allowing us more creative freedom and collaboration to create memorable moments. Keep a lookout for Kaufland; it’s something we haven’t done before, and I think it will work like magic with this year’s theme!
What is the most memorable or magical moment you have experienced at an UNTOLD show, and what made it so special?
There are so many moments that made UNTOLD genuinely magical for me. Somehow, each year, I end up on the catwalk at some point, just looking at the grandness of it all and wondering if it’s all really happening. So many things have to come together to make an event like this possible, and I feel very lucky to be standing, literally at that moment, in the middle of it all.
The experience as a whole each year is magical: the week before the event on-site, when the excitement starts to rise, and everything is in complete preparation. The crew is making the last push to finish everything—the nights of programming the lights, lasers, video, SFX, etc.
Everyone works tirelessly to create four days of magic for the audience. The long hours during the show, which run a lot longer than sunset to sunrise, are all so worth it in the end.
Amsterdam Dance Event (ADE), the world’s largest festival and business gathering for electronic music, reveals the first wave of confirmed artists for ADE 2024.
Among the confirmed artists to perform are Benga (GB), Brutalismus 3000 (DE), FJAAK (DE), Four Tet (GB), Honey Dijon (US), Indira Paganotto (ES), Jeff Mills (US), KlangKuenstler (DE), Major League DJz (ZA), Marlon Hoffstadt (DE), Martin Garrix (NL), Miss Monique (UA), Peggy Gou (KR), Rebekah (GB) and The Martinez Brothers (US).
Over 300 artists and DJs have now been confirmed throughout 100+ events, marking the first 10% milestone of the ADE program — including special concerts by AwakeningsUpclose, over 20 events at A’DAM Toren, a packed DGTL roster with 7 events, Tomorrowland presents Our Story, alongside AMF, HE.SHE.THEY., Into the Woods, Verknipt, straf_werk, Loveland, Speedy J‘s STOOR, Dave Clarke presents, and much much more.
The five day gathering runs from October 16—20, 2024 and is the world’s most extensive festival and conference program for electronic music, representing all electronic subgenres and subcultures throughout 1,000+ events in 200+ locations spread across Amsterdam.
Among the first 10% of artists and DJs are:
6EJOU (FR), 999999999 (IT), ALCATRAZ (DE), Anetha (FR), Anz (GB), Avalon Emerson (US), Azyr (GB), Barry Can’t Swim (GB), BELLA (NL), Ben Klock (DE), Benga (GB), Benwal (NL), Berkan V8 (NL), Bolis Pupul (BE), Bonobo (GB), Boys Noize (DE), Brutalismus 3000 (DE), Caribou (CA), Carista (NL), Carlita (TR), Chlär (CH), Cincity (NL), Cinthie (DE), Colin Benders (NL), Colyn (NL), Daria Kolosova (UA), Dave Clarke (GB), Dax J (GB), Dee Diggs (US), DJ Europarking (NL), DJ Fuckoff (DE), DJ Mell G (DE), DJ Spit (DE), DJ Tennis (IT), DMX Krew (GB), Doppelgang (NL), Estella Boersma (NL), Fafi Abdel Nour (NL), FJAAK (DE), Four Tet (GB), Funk Assault (DE), Gabrielle Kwarteng (US), Gerd Janson (DE), GoldFish (ZA), Honey Dijon (US), I Hate Models (FR), I. Jordan (GB), Indira Paganotto (ES), Jamie Jones (GB), JEANS (NL), Jeff Mills (US), Jennifer Loveless (AU), Kikelomo (GB), KiNK (BG), KlangKuenstler (DE), Kobosil (DE), Lola Edo (NL), Mahmut Orhan (TR), Major League DJz (ZA), Malugi (DE), Marcel Dettmann (DE), Marco Carola (IT), Marie K (NL), Markus Schulz (US), Marlon Hoffstadt (DE), Martin Garrix (NL), Mary Lake (NL), Mathame (IT ), MCR-T (DE), Mila Black (NL), Miss Monique (UA), Mochakk (BR), Motor City Drum Ensemble (DE), Narciss (DE), Nico Moreno (FR), NIKS (GB), Nils Frahm (DE), Octave One (US), Ogazón (LU), Olympe (IT), Pangaea (GB), Patrice Bäumel (DE), Patrick Mason (DE), Paula Tape (CL), Paula Temple (GB), Peggy Gou (KR), Philou Louzolo (NL), Rebekah (GB), Rødhåd (DE), Röyksopp (NO), Roza Terenzi (AU), Ruby Savage (NL), Sally C (IE), Salome (GE), Sama’ Abdulhadi (PS), San Holo (NL), Sarkawt Hamad (NL), Sasha (GB), Sedef Adasi (DE), Seth Troxler (US), Shanti Celeste (CL ), Shimza (ZA), Shlømo (FR), Skream (GB), Speedy J (NL), SPFDJ (SE), Spray (IE), Suze Ijó (NL), Tereza (DE), The Blessed Madonna (US), The Martinez Brothers (US), Tiësto (NL), Timmy Trumpet (AU), Tita Lau (GB), Todd Terry (US), Twiena (NL), Vuur (NL), Wade (ES), Yazzus (GB), Young Marco (NL) and many more.
The complete program will be announced in the coming months. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here.
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