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DGTL ADE 2023 Announce Massive Full Line-up

By
Marco Di
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From Thursday, October 19th, to Sunday, October 22nd, Amsterdam’s iconic NDSM Warehouse will once again play host to DGTL highly anticipated ADE programming. Over the course of four spectacular days and six captivating shows, the event will feature performances by some of the world’s most renowned DJs and live acts, all in front of an audience of 30,000 enthusiastic visitors.

Thursday’s opening night showcases the broad scope of DGTL’s line-up. With headliners Bicep, Dixon and Stephan Bodzin on the line-up, tickets are unsurprisingly selling fast. Experimental DJ Jennifer Loveless and psychedelic, UK bass queen Manami ensure female acts are firmly front and centre. DGTL’s commitment to representing homegrown talent comes in the form of Berlin-based producer Coloray, who dances across the lines of 80s synth pop, disco and electronica, and who released his track Blinded on DGTL Records last year.

Friday night’s extravaganza sees legendary Norwegian duo Röyksopp perform their exhilarating live show. The Scandinavian visionaries have been transforming their performances into unparalleled musical trips for years. Unprecedentedly productive in the studio, with three new albums last year alone (!), the unique performance from Röyksopp promises to be one of the standout moments of ADE 2023 as a whole.

DGTL ADE 2023

Folamour has been a beloved and inseparable part of the DGTL family for years, so it’s only right that his House Of Love will dominate Friday night at the NDSM Warehouse. With an energetic set by crowd favorite and DGTL regular Jayda G, which will undoubtedly resonate far beyond the Warehouse, DJ David Vunk keeps the vibe pumping with a set full of Italo and disco music for the masses.

Energy leads to extravagance, and they don’t come more extravagant than DGTL’s next two superstars: The Blessed Madonna and Róisín Murphy. Róisín will be a special guest on DGTL ADE Saturday during We Still Believe By The Blessed Madonna. Her new album Hit Parade will be released on September 8 and if her recent Boiler Room set is anything to go by, her solo performance for DGTL will be one for the books.

Sedef Adasi, resident DJ of the iconic BLITZ in Munich and Panoramabar in Berlin, will have house classics, electro and space disco tumbling over each other in her set. For those still reeling from Bambounou and Vuur’s thrilling set on the Boiler Room stage at DGTL Festival earlier this year, double down as they return to DGTL ADE, alongwith DJ FKA.M4a, who is still on everyone’s mind.

For fans of dark techno, NDSM Warehouse on Saturday night from 23:30 absolutely delivers. SPFDJ makes the dance floor tremble with fast, hard-hitting techno, smatterings of electro, acid, hardcore and trance effortlessly sprinkled throughout. Last year, set-proclaimed ‘noisician’ Paula Temple made waves on the dance floor, and this year she’s promising to turn it up a notch. Dax J is back for the third time in a row, and in advance of Saturday night will be another legendary b2b between Helena Hauff and Héctor Oaks.

And for the first time in its ADE history, DGTL also announced Sunday programming, a move that turned out to have the golden touch. When DGTL organizers dropped news that Sunday would belong to the legendary Peggy Gou and her Gou Talk party, tickets as expected almost immediately sold out; with DJ Stingray 313, Carista and Objekt just some of the names lining up alongside Peggy Gou herself, it came as no surprise. The perfect way to wrap up ADE 2023, it underlines how on the mark DGTL remain with their commitment to bringing only the biggest, most innovative stars to their line-ups, year in, year out.

Tickets available HERE!

Jakk’d & $on-$hine Release Fresh, Funky House Single In ‘Luven Me’

By
Andry Bosk
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When tracing electronic music’s cyclical trajectory, one often finds a confluence of nostalgia and futurism. “Luven Me” — the fresh offering from the prolific Jakk’d and the rhythmically astute $on-$hine — exemplifies this potent melding.

For nearly ten transformative years, Jakk’d, consisting of Vjay Seminiano and Max Dean, have navigated the tumultuous tides of electronic music. Their alchemy of house, trap, hip hop, and RnB has earned them not mere listeners, but vocal advocates. Martin Garrix on Sirius Radio, the pulsating stages of Ultra Music Festival with Vindata, and the echo chambers of the Two Friends Radio show have all resonated with their tunes.

Meanwhile, $on-$hine, the stage name of Sonny Vilardo, brings an organic sensibility to his beats. His nine years of drumming are palpable, introducing a raw, rhythmic texture that’s both grounding and invigorating.

With “Luven Me“, the past’s evocative charm meets the present’s precision. Enriched by soulful R&B vocals, the track oscillates between yesteryear’s warmth and contemporary crispness. It’s not just a track; it’s an invitation — urging listeners to appreciate house music’s enduring legacy while embracing its boundless possibilities.

Listen to the track below.

SIZE Records and Tomorrowland Music Records proudly announce the release of ‘SIZE xx TML’

By
Metodi Gogovski
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steve angello

In an era where electronic dance music has evolved into a cultural phenomenon, two trailblazing entities have converged to celebrate a shared legacy and an inspiring future. SIZE Records and Tomorrowland Music Records proudly announce the release of ‘SIZE xx TML’, co-released on both imprints now. The six-track EP represents a harmonious blend of past, present and future, marking a defining moment in electronic music.

Reflecting on the collaboration with Tomorrowland Music, Steve Angello said:

“This collaboration between SIZE and Tomorrowland is more than just a fusion of sounds; it’s a celebration of two decades of musical evolution, friendship, and creativity. Remixing the classics gives us a chance to honor our roots, while introducing four incredible new acts showcases our commitment to innovation and the future of music. Here’s to the past 20 years of harmony and inspiration, and to the next 20 years, where we’ll continue to break boundaries and redefine what’s possible.”

HIISAK comments about ‘Subiendo (Vazilando)‘: “This song brings me back to my first musical influences and roots as a drummer with percussive structures and Latin-based samples. I’m so excited to be back on SIZE for this special collaboration with Tomorrowland Music. Let’s go SIZE family, Vamos Subiendo!”

Here’s what AN21 had to say: “It’s an honour to share my remix of ‘The Ocean’ originally by my brother Steve Angello. Ever since this track first graced my ears, I’ve been captivated by its rhythm and soul. Now, as we celebrate SIZE xx, remixing this song feels like the perfect culmination, marking both an end and a fresh beginning. This remix for me is a journey – a consistent drive that builds up to something truly spectacular. It’s a crescendo of emotion and excitement, an interpretation of what the original song means to me.”

Sunnery James & Ryan Marciano: “Our tribute to Steve Angello’s timeless ‘Monday’ – we’re thrilled and honoured to finally unleash the remix we did together with Magnificence to the world!”

Magnificence added: “Thrilled to see my remix with Sunnery James & Ryan Marciano for one of the biggest songs by Steve Angello being released now. The ‘Monday’ remix has been an absolute highlight in my DJ sets since 2018. The original song by Steve has a special place in my heart, which makes this a very special project for me.”

Kommando: “‘DANCE BABY DANCE’, my first track, it’s the beginning of my artistic realization and my path that was able to transform into music what I am now and what I feel to be; an energy injector and smile creator, a colorful rebel and a party starter. I’m honored to have been given this opportunity by the SIZE family and Steve Angello himself, all of that gives a real thrill and a great sense of responsability. Being a part of the SIZE EP in collaboration with Tomorrowland, the most important festival in the world, makes everything just even more incredible.”

Daniel Etienne: “Late 2021, inspired by the Italian winter and sounds of the new age house, ‘Omniscient’ was born. Incorporating granular synthesizers into house music together with ethereal atmospheres, makes it a very fresh and unique sounding tune. Being a part of the SIZE x TML EP is the best case scenario for this song, since it’s two labels that can bring the absolute best out of music. Really excited for this collaboration and the music coming out.”

Speaking about the track Pretty Output said: “‘Do You Hear Me’ came to life last year and it’s a special one. We were inspired by a lot of different styles at the time and that’s what you’re hearing. We’re super excited to be on this EP! Celebrating Size’s 20 year anniversary together with Tomorrowland Music is an honor and with ‘Do You Hear Me’ as our introduction, we couldn’t be happier.”

The collaboration between SIZE and Tomorrowland was more than a coincidence. These two iconic brands were established almost in the same year and have been growing, evolving, and shaping the industry year after year.

Listen to the tracks below!

Reinier Zonneveld Takes Over Amsterdam’s Our House Museum for a Special Exhibition and Opening Night Live Set

By
Alex Gelevski
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Reinier Zonneveld

Our House Museum is excited to announce a groundbreaking takeover by Reinier Zonneveld, the internationally acclaimed DJ and producer and current holder of the Guinness World Record for the longest electronic music live set.

The museum will be transformed into an immersive experience celebrating Reinier Zonneveld‘s remarkable journey through the electronic music scene, culminating in a special concert opening night on September 13.

Reinier Zonneveld‘s unique sound has captivated audiences worldwide, making him a prominent figure in the electronic music industry. This takeover at Our House will offer fans and music enthusiasts an unparalleled opportunity to delve into Reinier Zonneveld‘s creative universe, tracing his evolution from playing illegal raves in the Netherlands to becoming a trailblazing artist who has sold out solo shows at the world’s most prestigious venues, including the iconic Ziggo Dome in Amsterdam.

The special takeover will showcase an array of memorabilia and archival footage, including some of Reinier Zonneveld‘s iconic studio equipment that has played a pivotal role in shaping his distinctive sound. Visitors will have a chance to explore his creative process, gain insights into his production techniques, and witness firsthand the tools that bring his electrifying live sets and intricate productions to life.

A major highlight of the exhibition will be a dedicated showcase of Reinier Zonneveld‘s record label, Filth on Acid. Fostered by his commitment to pushing musical boundaries, Filth on Acid has been a platform for emerging and established artists to express their innovative visions. This section of the exhibition will provide an in-depth look at the label’s history and its impressive portfolio of releases.

The opening night on September 13 promises to be an unforgettable experience, as Reinier Zonneveld himself takes the stage for an exclusive live set at Our House Museum. Fans can anticipate a mesmerizing performance that encapsulates his signature sound and electrifying stage presence. This concert marks a rare opportunity to witness Zonneveld’s music in an intimate and immersive setting, setting the tone for the entire exhibition.

“I am thrilled to collaborate with Our House Museum and share my journey through the world of electronic music with my fans and fellow music enthusiasts,” says Reinier Zonneveld. “This exhibition is a reflection of my passion for pushing boundaries and embracing the unconventional, while also sharing not as known facts about my life and trajectory.”

Don’t miss the opportunity to witness the convergence of music, art, and technology as Reinier Zonneveld takes over Our House Museum in Amsterdam. Book your tickets HERE!

From Techno Events to Talent Powerhouse: The Evolution of Eat The Beat in Australia’s Electronic Music Scene

By
Marco Di
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Eat The Beat emerged as a music collective, driven by a team with a bold vision: infusing the Melbourne City underground music scene with a fresh European sound. Their aim was to introduce a novel and distinctive musical experience to both the town and its dedicated club-goers.

This journey began in the intimate confines of the “Kitchen” room at New Guernica, a compact yet central club in Melbourne. Little did they know, this humble start would propel them to becoming one of the city’s premier nightlife destinations.

Their inaugural event in the “Kitchen” room which was actually set up as a kitchen, with stoves, fridge, etc. exceeded all expectations, drawing a crowd larger and more enthusiastic than any prior gathering. The club’s management was so taken aback by the success that they encouraged the collective to continue and offered them the opportunity to expand their influence, eventually taking over the entire club, including its main room.

In just a few years, their Saturday night affair evolved into one of the city’s most sought-after events, with an unrivaled energy electrifying the dance floor. Eat The Beat were in some way pioneers of a new style focused on tech-house and techno music when they were not really popular in Australia.

Eat The Beat

As the collective matured both artistically and professionally, they forged partnerships with prominent music institutions within the city. These collaborations led to co-hosting prestigious events such as Carl Cox‘s PURE, elrow, Circoloco, and Festival X. This elevated their status, allowing them to showcase top-tier international DJs at their Saturday night soirees. In effect, the once-small club morphed into a pivotal hub for both ardent clubbers and esteemed DJs.

Despite the formidable challenges posed by the COVID pandemic and enduring one of the world’s lengthiest lockdowns (spanning over a year of club closures), Eat The Beat remained resolute in their commitment to their project. They seized the opportunity to relocate their home venue, bidding farewell to New Guernica and embracing a larger, revamped location in the artistic Collingwood neighborhood, proximate to the city center.

This bold move served as a rejuvenating catalyst after the hiatus imposed by the pandemic, enabling them to resume hosting larger-than-life parties and regularly welcoming international DJ talents.

Eat The Beat

In summary, Eat The Beat‘s journey commenced as a quest to introduce European musical flavors to Melbourne’s underground scene. Through perseverance, innovation, and collaboration, they blossomed from a modest gathering in the “Kitchen” room to a pivotal player on the global nightlife stage. Their unyielding belief in their vision, even in the face of a global pandemic, underscores their dedication to keeping the beat alive and thriving.

Eat The Beat has expanded from a Melbourne reality to a music institution recognized and well-known all over Australia with branded parties, Artist bookings, and DJ tours around every city of the country!

In addition to their weekly parties and collaborations, Eat The Beat has taken a significant step in recent years by establishing a Booking Agency. This agency proudly represents a talented team of DJs and Producers who are not only mainstays at Eat The Beat parties but also have a strong presence across Australia, Asia, Europe, and soon in North and South America. These artists are consistently featured on prominent music labels and have made their mark on Beatport‘s top charts.

Highlighting their growth and influence, Eat The Beat is returning to ADE Amsterdam in 2023 for the second consecutive year with their signature branded party. This move marks a pivotal moment as the brand evolves into an international powerhouse, facilitating bookings and curating events beyond the borders of Australia.

 

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A post shared by Eat The Beat (@eatthebeatmelbourne)

Deborah De Luca crafts heavy techno mix of Robin S classic on ‘Devotion’

By
Marco Di
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Globally renowned DJ and producer Deborah de Luca returns with ‘Devotion’, an explosive new techno take on Robin S’ iconic 90s hit ‘Show Me Love’, out 25th August released on Sony Music Germany’s Dance imprint NITRON.

Giving the 1993 original a heavy-hitting makeover, Deborah de Luca shows off all of her techno craft on ‘Devotion’. The Italian superstar adds a relentless bassline and a pounding groove to Robin S’ iconic vocal melody, breathing new life into an all-time classic.

No accurate depiction of electronic music culture would be complete without special mention of Deborah de Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect.

Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer came from humble beginnings, forging her path to international success against unlikely odds. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records.

Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album Ten.

Dubbed by many as ‘The Queen of Naples’, it’s behind the DJ console where Deborah still feels most at home, travelling from continent to continent each week playing at some of the world’s most prestigious events. Delivering high-energy performances at huge international festivals and intimate nightclubs to performing breath-taking live shows broadcast to millions worldwide, there really aren’t many situations to which she can’t turn her deft hand.

Passionate and industrious, charismatic yet introverted, Deborah de Luca has already left an indelible mark on the music industry. Judging by the power of her latest release ‘Devotion’, she’s only just getting started.

Listen to the tracks below.

DJ Snake announces Red Rocks headline performance

By
Metodi Gogovski
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dj snake record label
img via insomniac

Multi-platinum DJ and world-renowned producer DJ Snake has announced a headline gig at the legendary Red Rocks Amphitheater on November 11th, 2023. Flanked by boundary-pushing artists Knock2 and What So Not, more surprise names are set to join the bill for an unforgettable night led by Parisian star. 

The forthcoming performance at Red Rocks is one of many milestones in a career year for DJ Snake. So far in 2023, Snake has performed at Super Bowl LVII, was the first European artist to have a McDonald’s partnership with his own meal, and has been RIAA-certified 8x Platinum with “Turn Down For What.” He also continues his run of acclaimed performances with upcoming dates at Creamfields, the Las Vegas Zouk Nightclub, Ultra Japan, EDC China, and more key locales.

Over the last decade, DJ Snake has achieved the kind of rarefied and wildly transformative success that few artists ever come close to attaining. Originally from a housing project on the outskirts of Paris, the multi-platinum-selling DJ/producer has shattered industry records with smash hits such as “Taki Taki,” earned diamond certification from the RIAA for “Lean On” (with Major Lazer), delivered era-defining bangers like “Turn Down for What” (with Lil Jon), accumulated over 40 diamond certifications in the United States, and made history as the first artist to perform atop the roof of the Arc de Triomphe.

Along with repeatedly turning out tracks that top the charts around the world—including three songs that have surpassed a staggering billion streams on Spotify—the multi-award-winning phenom brings his boundary-pushing ingenuity to music that builds unexpected and undeniably powerful bridges between vastly different cultures and genres.

But whether he’s collaborating with pop superstars or elevating under-the-radar artists from all corners of the globe, DJ Snake merges his endlessly forward-thinking musicality with timeless melodies that imprint forever on the listener’s heart and soul.

Tickets available HERE!

Heard Right returns to Purified Records with two-track ‘Moth’ EP

By
Andry Bosk
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Following his recent official remix of Super8 & Tab’s track Start Again, Belarusian producer Heard Right welcomes listeners back into his sublime sonic realm once again, returning to Purified Records with his two-track Moth EP.

Evoking pure emotion from the very first beat, Heard Right builds a gentle and timeless arrangement in the title track. Introducing a delicate vocal piece, Moth reaches a sonic destination where listeners can unwind while floating across a blissful soundscape.

Flowing into Theory of Charms, the EP’s B-side journeys across a melodic instrumental piece, complete with glistening synths and progressive basslines.

Heard Right – Moth EP

Speaking about the release, Heard Right said:

“This EP is one of my most personal releases so far. It is like a journey that allows us to soar high above the ordinary and immerse ourselves in a world of magic and emotion.”

Gracing the airwaves with his touching creations since 2018, Heard Right‘s originals and remixes have been released on a variety of revered imprints, including Purified, Rose Avenue and Colorize and Monstercat Silk, to name a few.

Combining melodic and lofty sounds with progressive house sensibilities, his previous releases on Purified Records include collaborations with Furcloud (Rise EP), OAI (On The Edge EP, Time Of Knowledge EP and Hope), Anriu (Be Myself EP) and Fløa (Insight EP) and his debut album Dreams.

Marking a monumental milestone in his career, the album saw him collaborate with producers and singers from all over the world. Solidifying his reputation and reaching audiences all over the globe, Heard Right remains at the forefront of the genre and shows no signs of slowing down.

Listen to the track below.

Mochakk debuts on CircoLoco Records with ‘Jealous’ as the first release of his forthcoming EP

By
Marco Di
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Following his latest single release ‘NO8DO’, a record specifically written for his groundbreaking Cercle set at Plaza de Espana in Seville, Spain, the Globally acclaimed DJ/Producer Mochakk returns with ‘Jealous,’ a classic house track and the first release from his upcoming EP on CircoLoco Records.

‘Jealous‘ is a driving, upfront classic house track featuring classic vocals from Loleatta Holloway‘s ‘Dreamin‘ and modern influences from the young Brazilian house music maestro. Only the eighth release from CircoLoco records, ‘Jealous‘, comes on the heels of a barrage of records from some of the biggest names in electronic music today, solidifying Mochakk’s position at the forefront of the house music scene.

The record puts a pumping kick drum and white hot snares with winding high-energy basslines. All the while, an unforgettable sample from Lolleatta Holloway‘s ’77 classic, ‘Dreamin‘ guides the upbeat track to make a modern rework with sounds straight from the heart of classic Chicago house music. Mochakk has brought his signature flavor to produce a party track that is equally at home on the sandy beaches of Ibiza as the warehouse parties in New York City.

“I’ve been waiting for Jealous to be released for so long, it’s probably the track I got asked about most this year. It’s definitely the biggest track in the set almost every time I play it and I just can’t wait for it to be released. Circoloco Records. August 25th. Blow it up!”- Mochakk

With hits like ‘Da Fonk‘ and ‘Diu Diu Lai‘ to his name, along with remixes for Lil Louie Vega, The Martinez Brothers, and his latest remix of Diplo‘s ‘Express Yourself‘, a record which got over 1.5M streams and reached the top 10 in the Beatport Global Charts, Mochakk has been dominating the global electronic music scene as he brings his reputation as Brazil’s biggest underground dance music star to clubs and festivals worldwide.

Named one of BBC Radio 1’s Future New Stars of 2023, the 23-year-old Brazilian has been busy captivating crowds at Coachella, Printworks, EDC, Lollapalooza, CircoLoco Ibiza, Sonar, and many more this year alone.

Listen to the track below.

Holly T teams up with Martial Simon on the release of ‘Can’t Stop, Won’t Stop’

By
Alex Gelevski
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In the sprawling landscape of dance-pop, where nostalgia often brushes against the novel, few artists have managed to straddle the line as adeptly as Holly T. Her recent single, “Can’t Stop, Won’t Stop” with Martial Simon, his all the upbeat pleasure centers all in one go.

Perhaps the most resounding element to Holly‘s prowess is her cover of Ultra Nate‘s ‘Free‘. Not merely a cover, it’s a reimagining that has won over legions, amassing nearly 5 million streams and shining on Spotify’s ‘Friday Cratediggers’ playlist.

Drawing from the rich tapestry of dance’s golden years, Holly T gives a nod to the past, while pushing the boundaries with a Nu Disco flavor. The seamless blend is a reminder of the cyclical nature of music, evident in her remix of “Goddess” by Nervo and Krewella. Here, the past and present intermingle, suggesting the return of dance-pop’s golden age.

New York’s dance scene, with its pulsating rhythm and ever-changing dynamics, finds a stalwart in Holly T. From her residency at The Edge to spinning tracks for big names like Drew Barrymore, Holly T’s star is on a meteoric rise, blending the nostalgic with the contemporary in a dance of decades.

Listen to the track below.

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